Thomas E. Crow
Impact in
-
- Visual Culture and Art Theory
- Art, Politics, and Modernism
- Theatre and Performance Studies
- Architecture and Art History Studies
- Museology top 1%
- Historical Art and Culture Studies
Papers in
- Museology 15
- Historical Art and Culture Studies 11
- Photographic and Visual Arts 3
-
- Art, Politics, and Modernism 9
- Visual Culture and Art Theory 7
- Art, Aesthetics, and Perception 2
- Co-authors
- Robert M. Isherwood (1 shared paper)Michael Ann Holly (1 shared paper)Svetlana Alpers (1 shared paper)Christopher Wood (1 shared paper)Stephen W. Melville (1 shared paper)Jonathan Crary (1 shared paper)Thomas DaCosta Kaufmann (1 shared paper)Keith P. F. Moxey (1 shared paper)
- Journals
- October (2 papers)The Art Bulletin (2 papers)The American Historical Review (2 papers)Art History (2 papers)Daedalus (1 paper)
- Partner nations
- United States
In The Last Decade
Thomas E. Crow
18 papers receiving 104 citations
Peers
Comparison fields: 5 of 37
- Visual Arts and Performing Arts 132
- Museology 54
- Conservation 14
- History 49
- Archeology 3
Countries citing papers authored by Thomas E. Crow
This map shows the geographic impact of Thomas E. Crow's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas E. Crow with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas E. Crow more than expected).
Fields of papers citing papers by Thomas E. Crow
This network shows the impact of papers produced by Thomas E. Crow. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas E. Crow. The network helps show where Thomas E. Crow may publish in the future.
Co-authors
The 25 scholars most cited alongside Thomas E. Crow, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 29 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1986 | 101 | |
| 2 | 1996 | 55 | |
| 3 | 1996 | 24 | |
| 4 | 1985 | 14 | |
| 5 | The Rise of the Sixties: American and European Art in the Era of Dissent | 1996 | 9 |
| 6 | 2006 | 8 | |
| 7 | 2006 | 8 | |
| 8 | Art After Conceptual Art | 2006 | 7 |
| 9 | Late Thoughts: Reflections on Artists and Composers at Work | 2006 | 5 |
| 10 | 1997 | 3 | |
| 11 | 1982 | 2 | |
| 12 | Endgame: Reference and Simulation in Recent Painting and Sculpture | 1986 | 2 |
| 13 | Discussions in contemporary culture | 1987 | 2 |
| 14 | 1987 | 2 | |
| 15 | 1996 | 2 | |
| 16 | El arte moderno en la cultura de lo cotidiano | 2002 | 2 |
| 17 | 1978 | 1 | |
| 18 | 1986 | 1 | |
| 19 | L'atelier de David : émulation et révolution | 1997 | 1 |
| 20 | The Intelligence of Art | 1999 | 1 |
About Thomas E. Crow
Thomas E. Crow is a scholar working on Museology, Visual Arts and Performing Arts, Conservation, History and Music, having authored 29 papers that have together received 253 indexed citations. Recurring topics across this work include Historical Art and Culture Studies (11 papers), Art, Politics, and Modernism (9 papers), Historical Art and Architecture Studies (7 papers), Visual Culture and Art Theory (7 papers), European Political History Analysis (4 papers), Photographic and Visual Arts (3 papers), Art, Aesthetics, and Perception (2 papers) and Photography and Visual Culture (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (132 citations), Museology (54 citations), Conservation (14 citations), History (49 citations) and Archeology (3 citations). Thomas E. Crow has collaborated with scholars based in United States. Frequent co-authors include Robert M. Isherwood, Michael Ann Holly, Svetlana Alpers, Christopher Wood, Stephen W. Melville, Jonathan Crary, Thomas DaCosta Kaufmann, Keith P. F. Moxey, Tom Gunning and Susan Buck‐Morss. Their work appears in journals such as October, The Art Bulletin, The American Historical Review, Art History and Daedalus.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.