David Bindman

23 papers receiving 81 citations

Peers

David Bindman
Comparison fields: 5 of 40
  • Museology 19
  • Anthropology 39
  • History 38
  • Religious studies 17
  • History and Philosophy of Science 15
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Citations per year

Countries citing papers authored by David Bindman

Since Specialization
Citations

This map shows the geographic impact of David Bindman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Bindman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Bindman more than expected).

Fields of papers citing papers by David Bindman

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Bindman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Bindman. The network helps show where David Bindman may publish in the future.

Co-authors

The 11 scholars most cited alongside David Bindman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with David Bindman Line = papers co-authored together David Bindman links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 40 papers — load more, or switch the sort, to bring in the rest.

#Work
1 201042
2
The shadow of the guillotine: Britain and the French Revolution
198917
3
Ape to Apollo: Aesthetics and the Idea of race in the Eighteenth Century
200211
4
Hogarth : representing nature's machines
20019
5
The Complete Graphic Works of William Blake
19788
6
Blake as an artist
19776
7
The complete illuminated books
20005
8 19834
9 20174
10 20173
11 20073
12 20103
13 19963
14
C.J.Grant's Political Drama: A Radical Satirist Rediscovered
19982
15
How the French became frogs: English caricature and a national stereotype
20032
16
William Blake: catalogue of the collection in the Fitzwilliam Museum, Cambridge
19702
17
The history of British art
20082
18 19812
19
William Blake, his art and times
19822
20 20112

About David Bindman

David Bindman is a scholar working on Literature and Literary Theory, History, Anthropology, Visual Arts and Performing Arts and Finance, having authored 40 papers that have together received 149 indexed citations. Recurring topics across this work include Moravian Church and William Blake (11 papers), Financial Crisis of the 21st Century (4 papers), African history and culture studies (3 papers), Historical Art and Culture Studies (3 papers), Colonialism, slavery, and trade (3 papers), Global Maritime and Colonial Histories (3 papers), Historical and Religious Studies of Rome (2 papers) and Art, Politics, and Modernism (2 papers). The work is most often cited by research in Museology (19 citations), Anthropology (39 citations), History (38 citations), Religious studies (17 citations) and History and Philosophy of Science (15 citations). Frequent co-authors include Henry Louis Gates, William Blake, Peter J. Wagner, Suzanne Preston Blier, Christopher M. S. Johns, Tim Ayers, Chris Stephens, Anne K. Mellor, Morton D. Paley and Hugh Honour. Their work appears in journals such as Eighteenth-Century Studies, Art Journal, Huntington Library Quarterly, Oxford Art Journal and Res Anthropology and Aesthetics.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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