Tom Gunning
Impact in
- Visual Arts and Performing Arts top 0.5%
- Visual Culture and Art Theory
- Art, Politics, and Modernism
- History top 1%
- Photography and Visual Culture
Papers in
-
- Cinema and Media Studies 15
-
- Visual Culture and Art Theory 4
- Art, Politics, and Modernism 3
- Cinema History and Criticism 3
- Co-authors
- Desmond Kenny (1 shared paper)Michael O’Keefe (1 shared paper)David Robinson (1 shared paper)Sabine Hake (1 shared paper)Thomas E. Crow (1 shared paper)Thomas DaCosta Kaufmann (1 shared paper)Keith Moxey (1 shared paper)Svetlana Alpers (1 shared paper)
- Journals
- Film Quarterly (4 papers)Modernism/modernity (2 papers)Early Popular Visual Culture (2 papers)American Art (1 paper)Grey Room (1 paper)
- Partner nations
- United StatesNetherlandsSwitzerland
In The Last Decade
Tom Gunning
40 papers receiving 383 citations
Peers
Comparison fields: 5 of 87
- Visual Arts and Performing Arts 190
- History 128
- Literature and Literary Theory 124
- Museology 38
- History and Philosophy of Science 35
Countries citing papers authored by Tom Gunning
This map shows the geographic impact of Tom Gunning's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Tom Gunning with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Tom Gunning more than expected).
Fields of papers citing papers by Tom Gunning
This network shows the impact of papers produced by Tom Gunning. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Tom Gunning. The network helps show where Tom Gunning may publish in the future.
Co-authors
The 22 scholars most cited alongside Tom Gunning, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 57 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1998 | 80 | |
| 2 | 2007 | 77 | |
| 3 | The Great Art Of Light And Shadow: Archaeology of the Cinema | 2000 | 67 |
| 4 | 1996 | 51 | |
| 5 | 1997 | 38 | |
| 6 | Time Stands Still: Muybridge and the Instantaneous Photography Movement | 2003 | 37 |
| 7 | 2001 | 29 | |
| 8 | 2004 | 29 | |
| 9 | 1989 | 27 | |
| 10 | 2003 | 24 | |
| 11 | 2007 | 21 | |
| 12 | 1991 | 20 | |
| 13 | 1997 | 17 | |
| 14 | 2014 | 17 | |
| 15 | 2003 | 14 | |
| 16 | 2006 | 13 | |
| 17 | 1981 | 8 | |
| 18 | The disembodied spirit | 2003 | 7 |
| 19 | Phantasmagoria and the Manufacturing of Illusions and Wonder : Towards a Cultural Optics of the Cinematic Apparatus | 2004 | 6 |
| 20 | 2010 | 6 |
About Tom Gunning
Tom Gunning is a scholar working on Economics and Econometrics, Visual Arts and Performing Arts, Literature and Literary Theory, Philosophy and History, having authored 57 papers that have together received 632 indexed citations. Recurring topics across this work include Cinema and Media Studies (15 papers), Shakespeare, Adaptation, and Literary Criticism (5 papers), Visual Culture and Art Theory (4 papers), Walter Benjamin Studies Compilation (3 papers), Art, Politics, and Modernism (3 papers), Historical Studies and Socio-cultural Analysis (3 papers), Cinema History and Criticism (3 papers) and French Historical and Cultural Studies (3 papers). The work is most often cited by research in Visual Arts and Performing Arts (190 citations), History (128 citations), Literature and Literary Theory (124 citations), Museology (38 citations) and History and Philosophy of Science (35 citations). Tom Gunning has collaborated with scholars based in United States, Netherlands and Switzerland. Frequent co-authors include Desmond Kenny, Michael O’Keefe, David Robinson, Sabine Hake, Thomas E. Crow, Thomas DaCosta Kaufmann, Keith Moxey, Svetlana Alpers, Stephen Melville and D. N. Rodowick. Their work appears in journals such as Film Quarterly, Modernism/modernity, Early Popular Visual Culture, American Art and Grey Room.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.