Coppélia Kahn

928 citations
27 papers · 317 · h-index 8

Impact in

    • Shakespeare, Adaptation, and Literary Criticism
    • Literature: history, themes, analysis
    • Folklore, Mythology, and Literature Studies
  • Museology top 5%
    • Historical Art and Culture Studies

Papers in

Coppélia Kahn

19 papers receiving 154 citations

Peers

Coppélia Kahn
Comparison fields: 5 of 50
  • Literature and Literary Theory 152
  • Museology 22
  • Music 19
  • Visual Arts and Performing Arts 21
  • Classics 15
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Citations per field
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Citations per year

Countries citing papers authored by Coppélia Kahn

Since Specialization
Citations

This map shows the geographic impact of Coppélia Kahn's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Coppélia Kahn with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Coppélia Kahn more than expected).

Fields of papers citing papers by Coppélia Kahn

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Coppélia Kahn. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Coppélia Kahn. The network helps show where Coppélia Kahn may publish in the future.

Co-authors

The 25 scholars most cited alongside Coppélia Kahn, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Coppélia Kahn Line = papers co-authored together Coppélia Kahn links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 27 papers — load more, or switch the sort, to bring in the rest.

#Work
1 198796
2
Representing Shakespeare: New Psychoanalytic Essays
198256
3
Man's Estate: Masculine Identity in Shakespeare
198145
4 198137
5 200116
6 198716
7 197513
8 198711
9 19947
10 19944
11 19823
12 19843
13 19772
14 20131
15 19951
16 19971
17 20161
18 19871
19 20101
20 19851

About Coppélia Kahn

Coppélia Kahn is a scholar working on Literature and Literary Theory, Sociology and Political Science, Political Science and International Relations, Clinical Psychology and Classics, having authored 27 papers that have together received 317 indexed citations. Recurring topics across this work include Shakespeare, Adaptation, and Literary Criticism (8 papers), Literature: history, themes, analysis (2 papers), Media, Gender, and Advertising (1 paper), World Wars: History, Literature, and Impact (1 paper), Marriage and Sexual Relationships (1 paper), Psychotherapy Techniques and Applications (1 paper), Renaissance Literature and Culture (1 paper) and Theater, Performance, and Music History (1 paper). The work is most often cited by research in Literature and Literary Theory (152 citations), Museology (22 citations), Music (19 citations), Visual Arts and Performing Arts (21 citations) and Classics (15 citations). Coppélia Kahn has collaborated with scholars based in United States. Frequent co-authors include Gayle Greene, Tony Davies, Charlotte Hogsett, Toril Moi, Chris Weedon, Janet Batsleer, Rebecca O’Rourke, Peter Erickson, Lisa Jardine and Susan Smith Nash. Their work appears in journals such as Shakespeare Quarterly, differences, Feminist Review, diacritics and PMLA/Publications of the Modern Language Association of America.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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