Wanda M. Corn
Impact in
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- Art, Politics, and Modernism
- Art History and Market Analysis
- Visual Culture and Art Theory
- Museology top 5%
- Historical Art and Culture Studies
- Fashion and Cultural Textiles
Papers in
-
- Art, Politics, and Modernism 7
- Art History and Market Analysis 4
- Visual Culture and Art Theory 2
- Comics and Graphic Narratives 1
- Art, Technology, and Culture 1
- Co-authors
- David L. Lewis (1 shared paper)Gail Levin (1 shared paper)Christine Stansell (1 shared paper)Karen J. Blair (1 shared paper)Daniel Aaron (1 shared paper)
- Journals
- American Art (3 papers)The Art Bulletin (3 papers)Journal of American History (2 papers)Art Journal (1 paper)Medical Entomology and Zoology (3 papers)
- Partner nations
- United States
In The Last Decade
Wanda M. Corn
9 papers receiving 48 citations
Peers
Comparison fields: 5 of 32
- Visual Arts and Performing Arts 27
- Museology 18
- Music 12
- History 23
- Space and Planetary Science 2
Countries citing papers authored by Wanda M. Corn
This map shows the geographic impact of Wanda M. Corn's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Wanda M. Corn with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Wanda M. Corn more than expected).
Fields of papers citing papers by Wanda M. Corn
This network shows the impact of papers produced by Wanda M. Corn. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Wanda M. Corn. The network helps show where Wanda M. Corn may publish in the future.
Co-authors
The 5 scholars most cited alongside Wanda M. Corn, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2001 | 38 | |
| 2 | 1988 | 17 | |
| 3 | 1999 | 14 | |
| 4 | 2001 | 9 | |
| 5 | Cultural leadership in America : art matronage and patronage | 1997 | 5 |
| 6 | 1988 | 4 | |
| 7 | 1983 | 3 | |
| 8 | American women artists, 1830-1930 | 1987 | 2 |
| 9 | The color of mood: American tonalism, 1880-1910 | 1972 | 2 |
| 10 | 1983 | 1 | |
| 11 | 2003 | 1 | |
| 12 | 2005 | 0 | |
| 13 | 2006 | 0 | |
| 14 | 2009 | 0 |
About Wanda M. Corn
Wanda M. Corn is a scholar working on Visual Arts and Performing Arts, Literature and Literary Theory, Architecture, Cultural Studies and History, having authored 14 papers that have together received 96 indexed citations. Recurring topics across this work include Art, Politics, and Modernism (7 papers), Art History and Market Analysis (4 papers), Visual Culture and Art Theory (2 papers), Reproductive Health and Technologies (1 paper), Comics and Graphic Narratives (1 paper), Art, Technology, and Culture (1 paper), Photography and Visual Culture (1 paper) and Architecture, Modernity, and Design (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (27 citations), Museology (18 citations), Music (12 citations), History (23 citations) and Space and Planetary Science (2 citations). Wanda M. Corn has collaborated with scholars based in United States. Frequent co-authors include David L. Lewis, Gail Levin, Christine Stansell, Karen J. Blair and Daniel Aaron. Their work appears in journals such as American Art, The Art Bulletin, Journal of American History, Art Journal and Medical Entomology and Zoology.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.