Barbara Spackman

578 citations
17 papers · 152 · h-index 5

Impact in

Papers in

    • Italian Fascism and Post-war Society 9
    • Decadence, Literature, and Society 1
    • Political theory and Gramsci 1
    • Renaissance and Early Modern Studies 2
    • French Historical and Cultural Studies 2

Barbara Spackman

12 papers receiving 90 citations

Peers

Barbara Spackman
Comparison fields: 5 of 39
  • General Arts and Humanities 9
  • Visual Arts and Performing Arts 21
  • History 31
  • Sociology and Political Science 94
  • Literature and Literary Theory 22
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Citations per field
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Citations per year

Countries citing papers authored by Barbara Spackman

Since Specialization
Citations

This map shows the geographic impact of Barbara Spackman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Barbara Spackman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Barbara Spackman more than expected).

Fields of papers citing papers by Barbara Spackman

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Barbara Spackman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Barbara Spackman. The network helps show where Barbara Spackman may publish in the future.

Co-authors

The 12 scholars most cited alongside Barbara Spackman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Barbara Spackman Line = papers co-authored together Barbara Spackman links everyone, so they are left out of the graph.

All Works

17 of 17 papers shown
#Work
1 199881
2 199231
3 20108
4 20186
5 19905
6 20114
7
Accidental Orientalists: Modern Italian Travelers in Ottoman Lands
20173
8 20173
9 19943
10 20092
11 20012
12 20051
13 20041
14 19921
15 20081
16 19940
17
Hygiene in the Harem: The Orientalism of Cristina Trivulzio di Belgiojoso
20170

About Barbara Spackman

Barbara Spackman is a scholar working on Sociology and Political Science, History, General Arts and Humanities, Political Science and International Relations and Dermatology, having authored 17 papers that have together received 152 indexed citations. Recurring topics across this work include Italian Fascism and Post-war Society (9 papers), Italian Literature and Culture (3 papers), Renaissance and Early Modern Studies (2 papers), French Historical and Cultural Studies (2 papers), Decadence, Literature, and Society (1 paper), Medicine and Dermatology Studies History (1 paper), Political theory and Gramsci (1 paper) and Translation Studies and Practices (1 paper). The work is most often cited by research in General Arts and Humanities (9 citations), Visual Arts and Performing Arts (21 citations), History (31 citations), Sociology and Political Science (94 citations) and Literature and Literary Theory (22 citations). Barbara Spackman has collaborated with scholars based in United States. Frequent co-authors include Richard Drake, Virginia Cox, Albert Russell Ascoli, Victoria Kahn, James B. Atkinson, Wayne A. Rebhorn, John M. Najemy, Ronald L. Martínez, J. G. A. Pocock and Robert E. Black. Their work appears in journals such as Modernism/modernity, SubStance, The Italianist, Tulsa Studies in Women s Literature and MLN.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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