Adrian Daub
Impact in
- Music top 5%
- Musicology and Musical Analysis
- Music History and Culture
- Theater, Performance, and Music History
- Visual Arts and Performing Arts top 10%
Papers in
- Music 11
- Musicology and Musical Analysis 8
- Theater, Performance, and Music History 6
- Music History and Culture 4
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- German Literature and Culture Studies 5
- Co-authors
- Jochen Büchs (2 shared papers)Elisabeth Bronfen (1 shared paper)Richard A. Lebrun (1 shared paper)Nils S. Borchers (1 shared paper)Lutz Koepnick (1 shared paper)Wolfgang Böck (1 shared paper)CYPRIAN P. BLAMIRES (1 shared paper)Sarah J. Moller (1 shared paper)
- Journals
- Criticism (1 paper)19th-Century Music (1 paper)The German Quarterly (1 paper)Les Temps Modernes (1 paper)Cambridge Opera Journal (1 paper)
- Partner nations
- United StatesGermanyAustria
In The Last Decade
Adrian Daub
22 papers receiving 100 citations
Peers
Comparison fields: 5 of 57
- Music 32
- Visual Arts and Performing Arts 12
- History and Philosophy of Science 8
- Health Informatics 2
- Philosophy 13
Countries citing papers authored by Adrian Daub
This map shows the geographic impact of Adrian Daub's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Adrian Daub with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Adrian Daub more than expected).
Fields of papers citing papers by Adrian Daub
This network shows the impact of papers produced by Adrian Daub. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Adrian Daub. The network helps show where Adrian Daub may publish in the future.
Co-authors
The 10 scholars most cited alongside Adrian Daub, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 42 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | What Tech Calls Thinking: An Inquiry into the Intellectual Bedrock of Silicon Valley | 2020 | 45 |
| 2 | 2014 | 14 | |
| 3 | 2013 | 13 | |
| 4 | Hitler's Face: The Biography of an Image | 2005 | 13 |
| 5 | 2014 | 9 | |
| 6 | 2015 | 7 | |
| 7 | Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture | 2014 | 6 |
| 8 | 2008 | 6 | |
| 9 | 2012 | 5 | |
| 10 | 2011 | 4 | |
| 11 | 2009 | 3 | |
| 12 | 2006 | 3 | |
| 13 | 2012 | 2 | |
| 14 | 2013 | 2 | |
| 15 | 2009 | 2 | |
| 16 | 2014 | 2 | |
| 17 | 2021 | 2 | |
| 18 | Uncivil Unions: The Metaphysics of Marriage in German Idealism and Romanticism | 2012 | 2 |
| 19 | 2015 | 1 | |
| 20 | The James Bond Songs: Pop Anthems of Late Capitalism | 2015 | 1 |
About Adrian Daub
Adrian Daub is a scholar working on Music, Literature and Literary Theory, Visual Arts and Performing Arts, Philosophy and Political Science and International Relations, having authored 42 papers that have together received 149 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (8 papers), Theater, Performance, and Music History (6 papers), German Literature and Culture Studies (5 papers), Music History and Culture (4 papers), Cinema and Media Studies (3 papers), Walter Benjamin Studies Compilation (2 papers), Cyclone Separators and Fluid Dynamics (2 papers) and European history and politics (2 papers). The work is most often cited by research in Music (32 citations), Visual Arts and Performing Arts (12 citations), History and Philosophy of Science (8 citations), Health Informatics (2 citations) and Philosophy (13 citations). Adrian Daub has collaborated with scholars based in United States, Germany and Austria. Frequent co-authors include Jochen Büchs, Elisabeth Bronfen, Richard A. Lebrun, Nils S. Borchers, Lutz Koepnick, Wolfgang Böck, CYPRIAN P. BLAMIRES, Sarah J. Moller, Rolf J. Goebel and Sighard Neckel. Their work appears in journals such as Criticism, 19th-Century Music, The German Quarterly, Les Temps Modernes and Cambridge Opera Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.