Simon McVeigh
Impact in
Papers in
- Music 20
- Musicology and Musical Analysis 16
- Theater, Performance, and Music History 10
- Diverse Musicological Studies 7
- Music History and Culture 5
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- Cultural Industries and Urban Development 3
- Co-authors
- Julian Rushton (1 shared paper)William Weber (2 shared papers)Cyril Ehrlich (1 shared paper)Christina Bashford (5 shared papers)Alan Dix (4 shared papers)J. Stephen Downie (1 shared paper)Michael B. Twidale (1 shared paper)
- Journals
- Music and Letters (1 paper)Notes (1 paper)Journal of Modern European History (1 paper)Journal of the Royal Musical Association (1 paper)The Musical Times (2 papers)
- Partner nations
- United KingdomUnited States
In The Last Decade
Simon McVeigh
22 papers receiving 124 citations
Peers
Comparison fields: 5 of 41
- Music 110
- Museology 14
- History 29
- Visual Arts and Performing Arts 9
- Literature and Literary Theory 19
Countries citing papers authored by Simon McVeigh
This map shows the geographic impact of Simon McVeigh's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon McVeigh with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon McVeigh more than expected).
Fields of papers citing papers by Simon McVeigh
This network shows the impact of papers produced by Simon McVeigh. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon McVeigh. The network helps show where Simon McVeigh may publish in the future.
Co-authors
The 7 scholars most cited alongside Simon McVeigh, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 30 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1994 | 51 | |
| 2 | 1995 | 34 | |
| 3 | 2002 | 19 | |
| 4 | 2014 | 9 | |
| 5 | 1989 | 7 | |
| 6 | 2007 | 6 | |
| 7 | 2004 | 6 | |
| 8 | 1988 | 6 | |
| 9 | The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History | 2004 | 6 |
| 10 | 2016 | 6 | |
| 11 | 2000 | 5 | |
| 12 | 1979 | 5 | |
| 13 | The Concert Life in Nineteenth-Century London Database Project | 2003 | 2 |
| 14 | 2013 | 2 | |
| 15 | 1992 | 2 | |
| 16 | Democratising Digitisation : Making History with Community Music Societies in Digitally Enabled Collaborations | 2020 | 2 |
| 17 | 2012 | 2 | |
| 18 | Italian Violinists in Eighteenth-Century London | 2001 | 1 |
| 19 | An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London | 2004 | 1 |
| 20 | 2009 | 1 |
About Simon McVeigh
Simon McVeigh is a scholar working on Music, Urban Studies, Management Science and Operations Research, Political Science and International Relations and Finance, having authored 30 papers that have together received 179 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (16 papers), Theater, Performance, and Music History (10 papers), Diverse Musicological Studies (7 papers), Music History and Culture (5 papers), Data Quality and Management (3 papers), Cultural Industries and Urban Development (3 papers), Financial Crisis of the 21st Century (2 papers) and Art History and Market Analysis (2 papers). The work is most often cited by research in Music (110 citations), Museology (14 citations), History (29 citations), Visual Arts and Performing Arts (9 citations) and Literature and Literary Theory (19 citations). Simon McVeigh has collaborated with scholars based in United Kingdom and United States. Frequent co-authors include Julian Rushton, William Weber, Cyril Ehrlich, Christina Bashford, Alan Dix, J. Stephen Downie and Michael B. Twidale. Their work appears in journals such as Music and Letters, Notes, Journal of Modern European History, Journal of the Royal Musical Association and The Musical Times.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.