Cyril Ehrlich

907 citations
34 papers · 444 · h-index 11

Impact in

  • Music top 1%
    • Musicology and Musical Analysis
    • Music History and Culture
  • History top 2%
    • Libraries, Manuscripts, and Books

Papers in

    • Musicology and Musical Analysis 24
    • Theater, Performance, and Music History 3
    • Music History and Culture 2
    • African history and culture studies 5

Cyril Ehrlich

27 papers receiving 189 citations

Peers

Cyril Ehrlich
Comparison fields: 5 of 48
  • Music 181
  • History 77
  • Visual Arts and Performing Arts 42
  • Anthropology 51
  • Public Administration 12
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Citations per field
00.5×5×10×13.7×
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Citations per year

Countries citing papers authored by Cyril Ehrlich

Since Specialization
Citations

This map shows the geographic impact of Cyril Ehrlich's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Cyril Ehrlich with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Cyril Ehrlich more than expected).

Fields of papers citing papers by Cyril Ehrlich

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Cyril Ehrlich. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Cyril Ehrlich. The network helps show where Cyril Ehrlich may publish in the future.

Co-authors

The 13 scholars most cited alongside Cyril Ehrlich, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Cyril Ehrlich Line = papers co-authored together Cyril Ehrlich links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 34 papers — load more, or switch the sort, to bring in the rest.

#Work
1 199081
2 198663
3 198738
4 197332
5 199528
6 198626
7 199024
8 197321
9
The Piano: A History
197619
10 200217
11 199213
12 196311
13 198911
14 199610
15 19899
16 19917
17 19596
18 19724
19 19854
20 19623

About Cyril Ehrlich

Cyril Ehrlich is a scholar working on Music, Anthropology, Visual Arts and Performing Arts, Economics and Econometrics and Development, having authored 34 papers that have together received 444 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (24 papers), African history and culture studies (5 papers), Theater, Performance, and Music History (3 papers), Theatre and Performance Studies (3 papers), Historical Economic and Social Studies (3 papers), Music History and Culture (2 papers), Migration, Ethnicity, and Economy (1 paper) and Literature and Culture Studies (1 paper). The work is most often cited by research in Music (181 citations), History (77 citations), Visual Arts and Performing Arts (42 citations), Anthropology (51 citations) and Public Administration (12 citations). Cyril Ehrlich has collaborated with scholars based in United Kingdom and Uganda. Frequent co-authors include Michael G. Sanderson, A. J. H. Latham, Simon McVeigh, F. M. L. Thompson, Alan O’Day, Terence R. Gourvish, D. L. LeMahieu, Michael Musgrave, Nicholas Temperley and John Rosselli. Their work appears in journals such as The Economic History Review, Notes, The American Historical Review, The Journal of Modern African Studies and The Journal of African History.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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