Ian Bent

828 citations
33 papers · 297 · h-index 9

Impact in

  • Music top 0.5%
    • Musicology and Musical Analysis
    • Music History and Culture
    • Theater, Performance, and Music History
    • Diverse Musicological Studies
  • Classics top 10%
    • Medieval Literature and History

Papers in

Ian Bent

23 papers receiving 116 citations

Peers

Ian Bent
Comparison fields: 5 of 31
  • Music 207
  • Classics 56
  • History 47
  • Literature and Literary Theory 29
  • Museology 9
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Citations per field
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Citations per year

Countries citing papers authored by Ian Bent

Since Specialization
Citations

This map shows the geographic impact of Ian Bent's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ian Bent with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ian Bent more than expected).

Fields of papers citing papers by Ian Bent

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Ian Bent. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ian Bent. The network helps show where Ian Bent may publish in the future.

Co-authors

The 10 scholars most cited alongside Ian Bent, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Ian Bent Line = papers co-authored together Ian Bent links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 33 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Music theory in the age of Romanticism
200578
2
Music Analysis in the Nineteenth Century: Objective–subjective analysis: the hermeneutic circle
199448
3
Music Analysis in the Nineteenth Century: Index to Volumes I and II
199431
4 196323
5 198321
6 196915
7
Source materials and the interpretation of music : a memorial volume to Thurston Dart
198112
8
Der Tonwille : pamphlets in witness of the immutable laws of music offered to a new generation of youth
20048
9 19868
10
Plato-Beethoven: A Hermeneutics for Nineteenth-Century Music?
19958
11 19797
12 19846
13
Der Tonwille Pamphlets in Witness of the Immutable Laws of Music, offered to a New Generation of Youth by Heinrich Schenker. Volume 1: Issues 1-5 (1921-1923). Heinrich Schenker
20044
14 20024
15 20053
16 19703
17 19943
18
Heinrich Schenker e la missione del genio germanico
20142
19 19892
20
"Music Analysis in the Nineteenth Century", T. I: "Fugue, Form and Style", Ian Bent, Cambridge-New York 1994 : [recenzja].
20061

About Ian Bent

Ian Bent is a scholar working on Music, Computer Vision and Pattern Recognition, History and Philosophy of Science, Classics and Signal Processing, having authored 33 papers that have together received 297 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (15 papers), Music Technology and Sound Studies (8 papers), Diverse Musicological Studies (7 papers), Music and Audio Processing (2 papers), Philosophy, Science, and History (2 papers), Medieval Literature and History (1 paper), Academic and Historical Perspectives in Psychology (1 paper) and Historical and Literary Studies (1 paper). The work is most often cited by research in Music (207 citations), Classics (56 citations), History (47 citations), Literature and Literary Theory (29 citations) and Museology (9 citations). Ian Bent has collaborated with scholars based in United States. Frequent co-authors include Margaret Bent, Thurston Dart, William Drabkin, Heinrich Schenker, John Rothgeb, Nicholas Cook, Arnold Whittall, Jonathan Dunsby, Michael Musgrave and Richard Krämer. Their work appears in journals such as Music Analysis, Journal of the American Musicological Society, Music and Letters, Notes and The Musical Times.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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