Simon Emmerson
Impact in
- Music top 0.5%
- Music History and Culture
- Musicology and Musical Analysis
- Diverse Musicological Studies
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- Music Technology and Sound Studies
Papers in
- Music 10
- Musicology and Musical Analysis 5
- Diverse Musicological Studies 4
- Diverse Music Education Insights 3
- Music History and Culture 2
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- Music Technology and Sound Studies 20
Simon Emmerson
32 papers receiving 294 citations
Peers
Comparison fields: 5 of 56
- Music 179
- Computer Vision and Pattern Recognition 324
- Signal Processing 121
- Cognitive Neuroscience 179
- Visual Arts and Performing Arts 33
Countries citing papers authored by Simon Emmerson
This map shows the geographic impact of Simon Emmerson's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon Emmerson with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon Emmerson more than expected).
Fields of papers citing papers by Simon Emmerson
This network shows the impact of papers produced by Simon Emmerson. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon Emmerson. The network helps show where Simon Emmerson may publish in the future.
Co-authors
The 2 scholars most cited alongside Simon Emmerson, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 35 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1987 | 92 | |
| 2 | 1986 | 66 | |
| 3 | 2002 | 65 | |
| 4 | 1998 | 44 | |
| 5 | 1994 | 27 | |
| 6 | 1989 | 19 | |
| 7 | 1998 | 13 | |
| 8 | 2018 | 13 | |
| 9 | 'Local/field': towards a typology of live electroacoustic music | 1994 | 13 |
| 10 | 2017 | 13 | |
| 11 | 2006 | 12 | |
| 12 | 2016 | 10 | |
| 13 | 2016 | 8 | |
| 14 | 2001 | 6 | |
| 15 | 1991 | 5 | |
| 16 | Music, mind and structure | 1989 | 3 |
| 17 | 2016 | 3 | |
| 18 | 2011 | 3 | |
| 19 | Computers and Live Electronic Music: Some Solutions, Many Problems | 1991 | 3 |
| 20 | Music – Imagination - Technology | 2011 | 3 |
About Simon Emmerson
Simon Emmerson is a scholar working on Music, Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience and Communication, having authored 35 papers that have together received 439 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (20 papers), Musicology and Musical Analysis (5 papers), Music and Audio Processing (5 papers), Neuroscience and Music Perception (5 papers), Diverse Musicological Studies (4 papers), Diverse Music Education Insights (3 papers), Music History and Culture (2 papers) and Media, Communication, and Education (2 papers). The work is most often cited by research in Music (179 citations), Computer Vision and Pattern Recognition (324 citations), Signal Processing (121 citations), Cognitive Neuroscience (179 citations) and Visual Arts and Performing Arts (33 citations). Simon Emmerson has collaborated with scholars based in United Kingdom and United States. Frequent co-authors include Eric Clarke and Leigh Landy. Their work appears in journals such as Contemporary Music Review, Organised Sound, Computer Music Journal, Journal of New Music Research and International Review of the Aesthetics and Sociology of Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.