Simon Emmerson
Impact in
- Music top 1%
- Diverse Musicological Studies
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Music Education Insights
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- Music Technology and Sound Studies
Papers in
-
- Music Technology and Sound Studies 19
- Music 9
- Diverse Musicological Studies 4
- Musicology and Musical Analysis 4
- Diverse Music Education Insights 3
- Music History and Culture 2
- Co-authors
- Eric Clarke (1 shared paper)Denis Smalley (1 shared paper)Gary S. Kendall (1 shared paper)Michael Young (1 shared paper)John Young (1 shared paper)Leigh Landy (1 shared paper)Andrew Hugill (1 shared paper)
- Journals
- Contemporary Music Review (5 papers)Organised Sound (4 papers)Computer Music Journal (2 papers)Journal of New Music Research (1 paper)International Review of the Aesthetics and Sociology of Music (1 paper)
- Partner nations
- United KingdomUnited States
In The Last Decade
Simon Emmerson
26 papers receiving 214 citations
Peers
Comparison fields: 5 of 49
- Music 123
- Computer Vision and Pattern Recognition 224
- Signal Processing 75
- Cognitive Neuroscience 116
- Visual Arts and Performing Arts 24
Countries citing papers authored by Simon Emmerson
This map shows the geographic impact of Simon Emmerson's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon Emmerson with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon Emmerson more than expected).
Fields of papers citing papers by Simon Emmerson
This network shows the impact of papers produced by Simon Emmerson. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon Emmerson. The network helps show where Simon Emmerson may publish in the future.
Co-authors
The 7 scholars most cited alongside Simon Emmerson, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 29 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1987 | 85 | |
| 2 | 2002 | 47 | |
| 3 | 1998 | 27 | |
| 4 | 1989 | 16 | |
| 5 | 1998 | 13 | |
| 6 | 2006 | 12 | |
| 7 | 2018 | 12 | |
| 8 | 'Local/field': towards a typology of live electroacoustic music | 1994 | 11 |
| 9 | 2017 | 10 | |
| 10 | 1994 | 10 | |
| 11 | 2016 | 8 | |
| 12 | 2016 | 6 | |
| 13 | 1991 | 6 | |
| 14 | 2001 | 5 | |
| 15 | Computers and Live Electronic Music: Some Solutions, Many Problems | 1991 | 3 |
| 16 | Music, mind and structure | 1989 | 3 |
| 17 | 2001 | 3 | |
| 18 | 2011 | 3 | |
| 19 | 2016 | 3 | |
| 20 | 'Where next? New music, new musicology' | 2007 | 2 |
About Simon Emmerson
Simon Emmerson is a scholar working on Computer Vision and Pattern Recognition, Music, Cognitive Neuroscience, Signal Processing and Communication, having authored 29 papers that have together received 294 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (19 papers), Diverse Musicological Studies (4 papers), Neuroscience and Music Perception (4 papers), Musicology and Musical Analysis (4 papers), Music and Audio Processing (4 papers), Diverse Music Education Insights (3 papers), Music History and Culture (2 papers) and Media, Communication, and Education (2 papers). The work is most often cited by research in Music (123 citations), Computer Vision and Pattern Recognition (224 citations), Signal Processing (75 citations), Cognitive Neuroscience (116 citations) and Visual Arts and Performing Arts (24 citations). Simon Emmerson has collaborated with scholars based in United Kingdom and United States. Frequent co-authors include Eric Clarke, Denis Smalley, Gary S. Kendall, Michael Young, John Young, Leigh Landy and Andrew Hugill. Their work appears in journals such as Contemporary Music Review, Organised Sound, Computer Music Journal, Journal of New Music Research and International Review of the Aesthetics and Sociology of Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.