Countries where authors publish in International Review of the Aesthetics and Sociology of Music
Since Specialization
Citations
This map shows the geographic impact of research published in International Review of the Aesthetics and Sociology of Music. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by papers published in International Review of the Aesthetics and Sociology of Music with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites International Review of the Aesthetics and Sociology of Music more than expected).
Fields of papers published in International Review of the Aesthetics and Sociology of Music
This network shows the impact of papers published in International Review of the Aesthetics and Sociology of Music. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers published in International Review of the Aesthetics and Sociology of Music.
About International Review of the Aesthetics and Sociology of Music
The 382 papers published in International Review of the Aesthetics and Sociology of Music in the last decades have received a total of 2.0k indexed citations . Papers published in International Review of the Aesthetics and Sociology of Music usually cover Music (183 papers), General Arts and Humanities (10 papers), Literature and Literary Theory (42 papers), Visual Arts and Performing Arts (18 papers) and Anthropology (33 papers) specifically the topics of Musicology and Musical Analysis (129 papers), Diverse Musicological Studies (71 papers), Music History and Culture (43 papers), Music Technology and Sound Studies (29 papers), Historical and Literary Studies (28 papers), Historical Influence and Diplomacy (26 papers), Arts, Culture, and Music Studies (17 papers) and Diverse Music Education Insights (15 papers). The most active scholars publishing in International Review of the Aesthetics and Sociology of Music are Jean-Jacques Nattiez, William G. Bowen, William J. Baumöl, Antoni Pizà, Carolyn Abbate, Ivo Supičić, William Weber, Peregrine Horden, George H. Lewis and Simon Emmerson.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.