International Review of the Aesthetics and Sociology of Music

348 papers and 1.3k indexed citations i.

About

The 348 papers published in International Review of the Aesthetics and Sociology of Music in the last decades have received a total of 1.3k indexed citations. Papers published in International Review of the Aesthetics and Sociology of Music usually cover Music (171 papers), Literature and Literary Theory (38 papers) and Anthropology (34 papers) specifically the topics of Musicology and Musical Analysis (117 papers), Diverse Musicological Studies (68 papers) and Music History and Culture (43 papers). The most active scholars publishing in International Review of the Aesthetics and Sociology of Music are William J. Baumöl, William G. Bowen, Jean-Jacques Nattiez, Antoni Pizà, Carolyn Abbate, William Weber, George H. Lewis, Peregrine Horden, Simon Emmerson and Robin Moore.

In The Last Decade

Fields of papers published in International Review of the Aesthetics and Sociology of Music

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers published in International Review of the Aesthetics and Sociology of Music. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers published in International Review of the Aesthetics and Sociology of Music.

Countries where authors publish in International Review of the Aesthetics and Sociology of Music

Since Specialization
Citations

This map shows the geographic impact of research published in International Review of the Aesthetics and Sociology of Music. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by papers published in International Review of the Aesthetics and Sociology of Music with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites International Review of the Aesthetics and Sociology of Music more than expected).

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar’s output or impact.

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2025