Mitchell Whitelaw

33 papers receiving 316 citations

Peers

Mitchell Whitelaw
Comparison fields: 5 of 73
  • Architecture 15
  • Human-Computer Interaction 52
  • Visual Arts and Performing Arts 37
  • Computer Vision and Pattern Recognition 134
  • Conservation 20
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Countries citing papers authored by Mitchell Whitelaw

Since Specialization
Citations

This map shows the geographic impact of Mitchell Whitelaw's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mitchell Whitelaw with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mitchell Whitelaw more than expected).

Fields of papers citing papers by Mitchell Whitelaw

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mitchell Whitelaw. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mitchell Whitelaw. The network helps show where Mitchell Whitelaw may publish in the future.

Co-authors

The 25 scholars most cited alongside Mitchell Whitelaw, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Mitchell Whitelaw Line = papers co-authored together Mitchell Whitelaw links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 36 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Metacreation: Art and Artificial Life
200474
2 201331
3 201225
4 202224
5 201222
6
Digital Learning Communities (DLC): Investigating the application of social software to support networked learning
200716
7 200816
8 201013
9 200611
10 201510
11 201410
12 20159
13 20099
14 20068
15 20198
16 20178
17 20217
18
Visualising the Digital Archive: the Visible Archive Project
20097
19
Art Against Information: Case Studies in Data Practice
20086
20 19986

About Mitchell Whitelaw

Mitchell Whitelaw is a scholar working on Computer Vision and Pattern Recognition, Cognitive Neuroscience, Visual Arts and Performing Arts, Conservation and Experimental and Cognitive Psychology, having authored 36 papers that have together received 356 indexed citations. Recurring topics across this work include Data Visualization and Analytics (7 papers), Art, Technology, and Culture (5 papers), Multisensory perception and integration (4 papers), Music Technology and Sound Studies (4 papers), Tactile and Sensory Interactions (4 papers), Digital and Traditional Archives Management (4 papers), Architecture and Computational Design (4 papers) and Innovative Human-Technology Interaction (4 papers). The work is most often cited by research in Architecture (15 citations), Human-Computer Interaction (52 citations), Visual Arts and Performing Arts (37 citations), Computer Vision and Pattern Recognition (134 citations) and Conservation (20 citations). Mitchell Whitelaw has collaborated with scholars based in Australia, United States and United Kingdom. Frequent co-authors include Alan Dorin, Jon McCormack, Sam Hinton, Stephen Barrass, M. A. S. Burton, Oliver Bown, Lexing Xie, Freya Bailes, David Kirk and Axel Bruns. Their work appears in journals such as Leonardo, Contemporary Music Review, Cultural Geographies, El Profesional de la Informacion and Open Library of Humanities.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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