Anna Xambó
Impact in
- Human-Computer Interaction top 2%
- Interactive and Immersive Displays
- Innovative Human-Technology Interaction
- Music top 5%
- Diverse Music Education Insights
Papers in
-
- Music Technology and Sound Studies 34
-
- Interactive and Immersive Displays 21
- Innovative Human-Technology Interaction 10
- Co-authors
- Ferdinand Fuhrmann (2 shared papers)Perfecto Herrera (2 shared papers)Martín Haro (2 shared papers)Dmitry Bogdanov (2 shared papers)Emília Gómez (2 shared papers)Gerard Roma (14 shared papers)Carey Jewitt (3 shared papers)Sara Price (3 shared papers)
- Journals
- Journal of the Audio Engineering Society (3 papers)Journal of New Music Research (1 paper)Applied Sciences (1 paper)Interacting with Computers (1 paper)Frontiers in Communication (1 paper)
- Partner nations
- United KingdomUnited StatesSpain
In The Last Decade
Anna Xambó
52 papers receiving 447 citations
Peers
Comparison fields: 5 of 67
- Human-Computer Interaction 167
- Music 47
- Signal Processing 147
- Computer Vision and Pattern Recognition 273
- Cognitive Neuroscience 155
Countries citing papers authored by Anna Xambó
This map shows the geographic impact of Anna Xambó's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Anna Xambó with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Anna Xambó more than expected).
Fields of papers citing papers by Anna Xambó
This network shows the impact of papers produced by Anna Xambó. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Anna Xambó. The network helps show where Anna Xambó may publish in the future.
Co-authors
The 25 scholars most cited alongside Anna Xambó, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 53 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2012 | 106 | |
| 2 | Proceedings of the International Conference on New Interfaces for Musical Expression | 2020 | 58 |
| 3 | 2013 | 34 | |
| 4 | 2016 | 27 | |
| 5 | 2018 | 23 | |
| 6 | 2017 | 18 | |
| 7 | 2016 | 17 | |
| 8 | 2019 | 16 | |
| 9 | A case study in learning spaces for physical-virtual two-campus interaction | 2019 | 16 |
| 10 | 2018 | 13 | |
| 11 | 2016 | 13 | |
| 12 | Facilitating Team-Based Programming Learning with Web Audio | 2019 | 12 |
| 13 | 2010 | 12 | |
| 14 | 2020 | 11 | |
| 15 | 2010 | 10 | |
| 16 | 2010 | 10 | |
| 17 | 2018 | 9 | |
| 18 | 2008 | 7 | |
| 19 | 2014 | 7 | |
| 20 | 2017 | 6 |
About Anna Xambó
Anna Xambó is a scholar working on Computer Vision and Pattern Recognition, Human-Computer Interaction, Signal Processing, Cognitive Neuroscience and Sociology and Political Science, having authored 53 papers that have together received 519 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (34 papers), Interactive and Immersive Displays (21 papers), Music and Audio Processing (18 papers), Innovative Human-Technology Interaction (10 papers), Neuroscience and Music Perception (8 papers), Tactile and Sensory Interactions (7 papers), Experimental Learning in Engineering (4 papers) and Teaching and Learning Programming (3 papers). The work is most often cited by research in Human-Computer Interaction (167 citations), Music (47 citations), Signal Processing (147 citations), Computer Vision and Pattern Recognition (273 citations) and Cognitive Neuroscience (155 citations). Anna Xambó has collaborated with scholars based in United Kingdom, United States and Spain. Frequent co-authors include Ferdinand Fuhrmann, Perfecto Herrera, Martín Haro, Dmitry Bogdanov, Emília Gómez, Gerard Roma, Carey Jewitt, Sara Price, Robin Laney and Alexander Refsum Jensenius. Their work appears in journals such as Journal of the Audio Engineering Society, Journal of New Music Research, Applied Sciences, Interacting with Computers and Frontiers in Communication.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.