Benjamin Piekut
Impact in
- Music top 0.5%
- Music History and Culture
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Diverse Music Education Insights
- Theater, Performance, and Music History
Papers in
- Music 13
- Music History and Culture 12
- Musicology and Musical Analysis 9
- Theater, Performance, and Music History 3
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- Music Technology and Sound Studies 5
- Co-authors
- Jason Stanyek (1 shared paper)George Lewis (2 shared papers)Julia Bryan-Wilson (1 shared paper)
- Journals
- Cultural Critique (2 papers)Journal of the American Musicological Society (2 papers)Contemporary Music Review (2 papers)twentieth-century music (2 papers)American Quarterly (1 paper)
- Partner nations
- HungaryUnited StatesIsrael
In The Last Decade
Benjamin Piekut
16 papers receiving 198 citations
Benjamin Piekut's Hit Papers
Peers
Comparison fields: 5 of 56
- Music 282
- Visual Arts and Performing Arts 45
- Computer Vision and Pattern Recognition 110
- Cultural Studies 29
- History and Philosophy of Science 16
Countries citing papers authored by Benjamin Piekut
This map shows the geographic impact of Benjamin Piekut's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Benjamin Piekut with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Benjamin Piekut more than expected).
Fields of papers citing papers by Benjamin Piekut
This network shows the impact of papers produced by Benjamin Piekut. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Benjamin Piekut. The network helps show where Benjamin Piekut may publish in the future.
Co-authors
The 3 scholars most cited alongside Benjamin Piekut, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 23 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Deadness: Technologies of the Intermundane Hit paper breakdown → | 2010 | 88 |
| 2 | 2014 | 83 | |
| 3 | Oxford Handbook of Critical Improvisation Studies | 2016 | 65 |
| 4 | Experimentalism Otherwise: The New York Avant-Garde and Its Limits | 2011 | 63 |
| 5 | 2013 | 24 | |
| 6 | 2019 | 14 | |
| 7 | 2014 | 10 | |
| 8 | 2012 | 9 | |
| 9 | 2019 | 8 | |
| 10 | Testing, testing...: New York experimentalism 1964 | 2008 | 8 |
| 11 | 2014 | 6 | |
| 12 | 2019 | 4 | |
| 13 | 2010 | 3 | |
| 14 | 2011 | 3 | |
| 15 | 2009 | 3 | |
| 16 | 2009 | 2 | |
| 17 | 2013 | 2 | |
| 18 | Introduction: On Critical Improvisation Studies | 2016 | 2 |
| 19 | 2015 | 1 | |
| 20 | 2014 | 1 |
About Benjamin Piekut
Benjamin Piekut is a scholar working on Music, Computer Vision and Pattern Recognition, Sociology and Political Science, Literature and Literary Theory and Experimental and Cognitive Psychology, having authored 23 papers that have together received 399 indexed citations. Recurring topics across this work include Music History and Culture (12 papers), Musicology and Musical Analysis (9 papers), Music Technology and Sound Studies (5 papers), Theater, Performance, and Music History (3 papers), Cinema and Media Studies (2 papers), Diversity and Impact of Dance (2 papers), Poetry Analysis and Criticism (1 paper) and Thomas Hardy Literature Studies (1 paper). The work is most often cited by research in Music (282 citations), Visual Arts and Performing Arts (45 citations), Computer Vision and Pattern Recognition (110 citations), Cultural Studies (29 citations) and History and Philosophy of Science (16 citations). Benjamin Piekut has collaborated with scholars based in Hungary, United States and Israel. Frequent co-authors include Jason Stanyek, George Lewis and Julia Bryan-Wilson. Their work appears in journals such as Cultural Critique, Journal of the American Musicological Society, Contemporary Music Review, twentieth-century music and American Quarterly.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.