Brian Kane

724 citations
13 papers · 208 · h-index 6

Impact in

Papers in

Brian Kane

9 papers receiving 133 citations

Peers

Brian Kane
Comparison fields: 5 of 45
  • Music 115
  • Visual Arts and Performing Arts 30
  • Computer Vision and Pattern Recognition 75
  • History and Philosophy of Science 15
  • Experimental and Cognitive Psychology 38
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Marie Thompson United Kingdom
Andrew Kania United States
Ruth A. Solie United States
Arnold Whittall United Kingdom
Emily I. Dolan United States
Jim Samson United Kingdom
Mark Evan Bonds United States
Pierre Boulez France
Leo Treitler United States
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Citations per field
00.5×4.6×
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Citations per year

Countries citing papers authored by Brian Kane

Since Specialization
Citations

This map shows the geographic impact of Brian Kane's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Brian Kane with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Brian Kane more than expected).

Fields of papers citing papers by Brian Kane

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Brian Kane. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Brian Kane. The network helps show where Brian Kane may publish in the future.

Co-authors

The 1 scholars most cited alongside Brian Kane, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Brian Kane Line = papers co-authored together Brian Kane links everyone, so they are left out of the graph.

All Works

13 of 13 papers shown

About Brian Kane

Brian Kane is a scholar working on Music, Computer Vision and Pattern Recognition, Experimental and Cognitive Psychology, Communication and Philosophy, having authored 13 papers that have together received 208 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (6 papers), Musicology and Musical Analysis (6 papers), Music History and Culture (4 papers), Diverse Musicological Studies (3 papers), Media, Communication, and Education (2 papers), Sound Studies and Aurality (2 papers), Phenomenology and Existential Philosophy (1 paper) and Wittgensteinian philosophy and applications (1 paper). The work is most often cited by research in Music (115 citations), Visual Arts and Performing Arts (30 citations), Computer Vision and Pattern Recognition (75 citations), History and Philosophy of Science (15 citations) and Experimental and Cognitive Psychology (38 citations). Brian Kane has collaborated with scholars based in United States and Ireland. Frequent co-authors include Martha S. Feldman. Their work appears in journals such as Contemporary Music Review, Organised Sound, Journal of the American Musicological Society, Journal of Visual Culture and twentieth-century music.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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