Max Paddison
Impact in
- Music top 1%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
- Theater, Performance, and Music History
- Visual Arts and Performing Arts top 10%
Papers in
- Music 10
- Musicology and Musical Analysis 10
- Diverse Musicological Studies 3
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- Critical Theory and Philosophy 2
- Political Theology and Sovereignty 1
- Co-authors
- T. W. Adorno (1 shared paper)Irène Deliège (1 shared paper)Theodor W. Adorno (3 shared papers)Rodney Livingstone (2 shared papers)Lee B. Brown (1 shared paper)Julian Johnson (1 shared paper)Edmund Jephcott (1 shared paper)
- Journals
- Music Analysis (4 papers)Contemporary Music Review (1 paper)Popular Music (1 paper)Journal of Aesthetics and Art Criticism (1 paper)Musicae Scientiae (1 paper)
- Partner nations
- United Kingdom
In The Last Decade
Max Paddison
13 papers receiving 119 citations
Peers
Comparison fields: 5 of 35
- Music 138
- Visual Arts and Performing Arts 19
- General Arts and Humanities 3
- Philosophy 21
- Computer Vision and Pattern Recognition 37
Countries citing papers authored by Max Paddison
This map shows the geographic impact of Max Paddison's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Max Paddison with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Max Paddison more than expected).
Fields of papers citing papers by Max Paddison
This network shows the impact of papers produced by Max Paddison. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Max Paddison. The network helps show where Max Paddison may publish in the future.
Co-authors
The 7 scholars most cited alongside Max Paddison, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 1993 | 71 | |
| 2 | 1982 | 28 | |
| 3 | 1982 | 23 | |
| 4 | Contemporary Music: Theoretical and Philosophical Perspectives | 2013 | 19 |
| 5 | Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music | 1996 | 16 |
| 6 | 1995 | 10 | |
| 7 | 1991 | 9 | |
| 8 | 2010 | 6 | |
| 9 | 1995 | 5 | |
| 10 | 1987 | 4 | |
| 11 | 2016 | 1 | |
| 12 | 2004 | 1 | |
| 13 | 1996 | 1 | |
| 14 | 2015 | 0 |
About Max Paddison
Max Paddison is a scholar working on Music, Sociology and Political Science, Computer Vision and Pattern Recognition, Visual Arts and Performing Arts and Signal Processing, having authored 14 papers that have together received 194 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (10 papers), Music Technology and Sound Studies (3 papers), Diverse Musicological Studies (3 papers), Critical Theory and Philosophy (2 papers), Visual Culture and Art Theory (1 paper), Philosophical and Theoretical Analysis (1 paper), Scientific and Historical Analyses (1 paper) and Political Theology and Sovereignty (1 paper). The work is most often cited by research in Music (138 citations), Visual Arts and Performing Arts (19 citations), General Arts and Humanities (3 citations), Philosophy (21 citations) and Computer Vision and Pattern Recognition (37 citations). Max Paddison has collaborated with scholars based in United Kingdom. Frequent co-authors include T. W. Adorno, Irène Deliège, Theodor W. Adorno, Rodney Livingstone, Lee B. Brown, Julian Johnson and Edmund Jephcott. Their work appears in journals such as Music Analysis, Contemporary Music Review, Popular Music, Journal of Aesthetics and Art Criticism and Musicae Scientiae.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.