Max Paddison
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Theater, Performance, and Music History
- Diverse Music Education Insights
Papers in
- Music 17
- Musicology and Musical Analysis 17
- Diverse Musicological Studies 4
- Music History and Culture 2
- Diverse Music Education Insights 1
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- Critical Theory and Philosophy 4
- Co-authors
- T. W. Adorno (1 shared paper)Irène Deliège (1 shared paper)Theodor W. Adorno (3 shared papers)Julian Johnson (1 shared paper)Lee B. Brown (1 shared paper)Rodney Livingstone (2 shared papers)Edmund Jephcott (1 shared paper)
- Journals
- Music Analysis (4 papers)Contemporary Music Review (1 paper)Journal of Aesthetics and Art Criticism (1 paper)Musicae Scientiae (1 paper)Popular Music (1 paper)
- Partner nations
- United KingdomUnited States
In The Last Decade
Max Paddison
20 papers receiving 198 citations
Peers
Comparison fields: 5 of 40
- Music 200
- Visual Arts and Performing Arts 32
- Literature and Literary Theory 45
- General Arts and Humanities 4
- Philosophy 27
Countries citing papers authored by Max Paddison
This map shows the geographic impact of Max Paddison's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Max Paddison with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Max Paddison more than expected).
Fields of papers citing papers by Max Paddison
This network shows the impact of papers produced by Max Paddison. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Max Paddison. The network helps show where Max Paddison may publish in the future.
Co-authors
The 7 scholars most cited alongside Max Paddison, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 28 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1993 | 124 | |
| 2 | Adorno, Modernism and Mass Culture: Essays on Critical Theory and Music | 1996 | 49 |
| 3 | 1982 | 33 | |
| 4 | 1982 | 28 | |
| 5 | Contemporary Music: Theoretical and Philosophical Perspectives | 2013 | 21 |
| 6 | 1995 | 11 | |
| 7 | 1991 | 10 | |
| 8 | 2010 | 7 | |
| 9 | 1995 | 6 | |
| 10 | 2004 | 5 | |
| 11 | 2002 | 4 | |
| 12 | 1987 | 4 | |
| 13 | Immanent critique or musical stocktaking ? Adorno and the problem of musical analysis. | 2001 | 2 |
| 14 | 2004 | 2 | |
| 15 | 2016 | 1 | |
| 16 | 2003 | 1 | |
| 17 | 2017 | 1 | |
| 18 | 2004 | 1 | |
| 19 | 1993 | 1 | |
| 20 | 1993 | 1 |
About Max Paddison
Max Paddison is a scholar working on Music, Sociology and Political Science, Visual Arts and Performing Arts, Computer Vision and Pattern Recognition and Political Science and International Relations, having authored 28 papers that have together received 314 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (17 papers), Music Technology and Sound Studies (5 papers), Diverse Musicological Studies (4 papers), Visual Culture and Art Theory (4 papers), Art, Politics, and Modernism (4 papers), Critical Theory and Philosophy (4 papers), Music History and Culture (2 papers) and Diverse Music Education Insights (1 paper). The work is most often cited by research in Music (200 citations), Visual Arts and Performing Arts (32 citations), Literature and Literary Theory (45 citations), General Arts and Humanities (4 citations) and Philosophy (27 citations). Max Paddison has collaborated with scholars based in United Kingdom and United States. Frequent co-authors include T. W. Adorno, Irène Deliège, Theodor W. Adorno, Julian Johnson, Lee B. Brown, Rodney Livingstone and Edmund Jephcott. Their work appears in journals such as Music Analysis, Contemporary Music Review, Journal of Aesthetics and Art Criticism, Musicae Scientiae and Popular Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.