Rudolf Rasch
Impact in
- Music top 2%
- Musicology and Musical Analysis
- Diverse Music Education Insights
- Signal Processing top 5%
- Music and Audio Processing
- Speech and Audio Processing
Papers in
-
- Music Technology and Sound Studies 12
-
- Historical Influence and Diplomacy 11
- Co-authors
- Joos Vos (1 shared paper)Christiaan Huygens (1 shared paper)Joel Lester (1 shared paper)A. D. Fokker (1 shared paper)
- Journals
- The Journal of the Acoustical Society of America (4 papers)Notes (4 papers)Music Perception An Interdisciplinary Journal (3 papers)Journal of New Music Research (1 paper)Contemporary Music Review (1 paper)
- Partner nations
- Netherlands
In The Last Decade
Rudolf Rasch
23 papers receiving 265 citations
Peers
Comparison fields: 5 of 57
- Music 76
- Signal Processing 137
- Cognitive Neuroscience 230
- Computer Vision and Pattern Recognition 138
- Experimental and Cognitive Psychology 49
Countries citing papers authored by Rudolf Rasch
This map shows the geographic impact of Rudolf Rasch's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Rudolf Rasch with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Rudolf Rasch more than expected).
Fields of papers citing papers by Rudolf Rasch
This network shows the impact of papers produced by Rudolf Rasch. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Rudolf Rasch. The network helps show where Rudolf Rasch may publish in the future.
Co-authors
The 4 scholars most cited alongside Rudolf Rasch, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 37 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Synchronization in performed ensemble music | 1979 | 132 |
| 2 | 1981 | 69 | |
| 3 | 1984 | 44 | |
| 4 | 1983 | 15 | |
| 5 | 1985 | 13 | |
| 6 | Aspects of the perception and performance of polyphonic music | 1981 | 12 |
| 7 | 1985 | 10 | |
| 8 | 1994 | 10 | |
| 9 | 1991 | 7 | |
| 10 | Beyond notes : improvisation in Western music of the eighteenth and nineteenth centuries | 2011 | 5 |
| 11 | 1984 | 5 | |
| 12 | 1985 | 3 | |
| 13 | Collected writings on musical acoustics (Paris 1700-1713) | 1984 | 3 |
| 14 | Music publishing in Europe 1600-1900 : concepts and issues, bibliography | 2005 | 2 |
| 15 | Het muziekleven in Nederland in de 17de en 18de eeuw | 1981 | 2 |
| 16 | 1983 | 2 | |
| 17 | 1994 | 2 | |
| 18 | 1988 | 2 | |
| 19 | 1993 | 2 | |
| 20 | Synchronisatie bij ensemblespel | 1979 | 1 |
About Rudolf Rasch
Rudolf Rasch is a scholar working on Computer Vision and Pattern Recognition, Political Science and International Relations, Music, Cognitive Neuroscience and Signal Processing, having authored 37 papers that have together received 351 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (12 papers), Historical Influence and Diplomacy (11 papers), Neuroscience and Music Perception (7 papers), Music and Audio Processing (7 papers), Musicology and Musical Analysis (6 papers), Diverse Musicological Studies (4 papers), Historical and Literary Studies (3 papers) and Reformation and Early Modern Christianity (3 papers). The work is most often cited by research in Music (76 citations), Signal Processing (137 citations), Cognitive Neuroscience (230 citations), Computer Vision and Pattern Recognition (138 citations) and Experimental and Cognitive Psychology (49 citations). Rudolf Rasch has collaborated with scholars based in Netherlands. Frequent co-authors include Joos Vos, Christiaan Huygens, Joel Lester and A. D. Fokker. Their work appears in journals such as The Journal of the Acoustical Society of America, Notes, Music Perception An Interdisciplinary Journal, Journal of New Music Research and Contemporary Music Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.