Peter Wollen
Impact in
- Visual Arts and Performing Arts top 0.2%
- Cinema History and Criticism
- Visual Culture and Art Theory
- Art, Politics, and Modernism
- Museology top 2%
Papers in
-
- Cinema History and Criticism 24
- Art, Politics, and Modernism 10
- Visual Culture and Art Theory 9
- Art, Aesthetics, and Perception 6
- Co-authors
- Stuart A. Selby (1 shared paper)Marcel Cornis-Pope (1 shared paper)Kathy Acker (1 shared paper)Gregory Battcock (1 shared paper)Kristin Ross (1 shared paper)Wolfgang Sachs (1 shared paper)Mark S. Finch (1 shared paper)David E. James (1 shared paper)
- Journals
- October (2 papers)New Left Review (2 papers)boundary 2 (1 paper)Cinema Journal (1 paper)Art Journal (1 paper)
- Partner nations
- United States
In The Last Decade
Peter Wollen
33 papers receiving 256 citations
Peers
Comparison fields: 5 of 53
- Visual Arts and Performing Arts 281
- Museology 41
- Literature and Literary Theory 112
- Geography, Planning and Development 21
- Music 16
Countries citing papers authored by Peter Wollen
This map shows the geographic impact of Peter Wollen's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Peter Wollen with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Peter Wollen more than expected).
Fields of papers citing papers by Peter Wollen
This network shows the impact of papers produced by Peter Wollen. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Peter Wollen. The network helps show where Peter Wollen may publish in the future.
Co-authors
The 25 scholars most cited alongside Peter Wollen, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 47 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1971 | 149 | |
| 2 | 1997 | 58 | |
| 3 | 1994 | 57 | |
| 4 | 1983 | 54 | |
| 5 | Speed - Visions of an Accelerated Age | 1998 | 32 |
| 6 | Andy Warhol : Film Factory | 1989 | 23 |
| 7 | Paris Hollywood - Writings on Film | 2002 | 22 |
| 8 | 1970 | 21 | |
| 9 | Global Conceptualism : Points of Origin, 1950s-1980s | 1999 | 17 |
| 10 | 2005 | 16 | |
| 11 | 2013 | 15 | |
| 12 | 1986 | 14 | |
| 13 | Paris/Manhattan: Writings on Art | 2004 | 12 |
| 14 | Howard Hawks: American Artist | 1997 | 10 |
| 15 | Scene of the crime | 1997 | 7 |
| 16 | 2003 | 6 | |
| 17 | 1980 | 4 | |
| 18 | 1980 | 4 | |
| 19 | Difference : on representation and sexuality | 1984 | 4 |
| 20 | Strike a pose | 1995 | 4 |
About Peter Wollen
Peter Wollen is a scholar working on Visual Arts and Performing Arts, Literature and Literary Theory, Museology, Communication and Gender Studies, having authored 47 papers that have together received 560 indexed citations. Recurring topics across this work include Cinema History and Criticism (24 papers), Art, Politics, and Modernism (10 papers), Visual Culture and Art Theory (9 papers), Art, Aesthetics, and Perception (6 papers), Fashion and Cultural Textiles (2 papers), Cultural Studies and Postmodernism (2 papers), Gender and Feminist Studies (2 papers) and Cinema and Media Studies (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (281 citations), Museology (41 citations), Literature and Literary Theory (112 citations), Geography, Planning and Development (21 citations) and Music (16 citations). Peter Wollen has collaborated with scholars based in United States. Frequent co-authors include Stuart A. Selby, Marcel Cornis-Pope, Kathy Acker, Gregory Battcock, Kristin Ross, Wolfgang Sachs, Mark S. Finch, David E. James, Edward Dimendberg and Anthony Vidler. Their work appears in journals such as October, New Left Review, boundary 2, Cinema Journal and Art Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.