Martin Meisel

1.1k citations
29 papers · 434 · h-index 9

Impact in

  • Music top 1%
    • Theater, Performance, and Music History
    • Theatre and Performance Studies
    • Visual Culture and Art Theory
    • Cinema History and Criticism

Papers in

    • Theatre and Performance Studies 12
    • Visual Culture and Art Theory 10
    • Art, Technology, and Culture 2
    • Theater, Performance, and Music History 7

Martin Meisel

18 papers receiving 127 citations

Peers

Martin Meisel
Comparison fields: 5 of 34
  • Music 104
  • Visual Arts and Performing Arts 196
  • Literature and Literary Theory 193
  • Museology 17
  • History 62
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Citations per field
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Citations per year

Countries citing papers authored by Martin Meisel

Since Specialization
Citations

This map shows the geographic impact of Martin Meisel's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martin Meisel with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martin Meisel more than expected).

Fields of papers citing papers by Martin Meisel

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Martin Meisel. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martin Meisel. The network helps show where Martin Meisel may publish in the future.

Co-authors

The 5 scholars most cited alongside Martin Meisel, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Martin Meisel Line = papers co-authored together Martin Meisel links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 29 papers — load more, or switch the sort, to bring in the rest.

#Work
1 1984109
2 198684
3 196471
4 199640
5 196533
6 198429
7 198514
8 198413
9
Realizations Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England
19839
10 19859
11 19664
12
How Plays Work: Reading and Performance
20074
13 19713
14 20073
15 19772
16 20072
17 19851
18 19881
19 20071
20 20071

About Martin Meisel

Martin Meisel is a scholar working on Visual Arts and Performing Arts, Music, Literature and Literary Theory, Museology and History, having authored 29 papers that have together received 434 indexed citations. Recurring topics across this work include Theatre and Performance Studies (12 papers), Visual Culture and Art Theory (10 papers), Theater, Performance, and Music History (7 papers), Historical Art and Culture Studies (5 papers), Modernist Literature and Criticism (3 papers), Historical Architecture and Urbanism (3 papers), Chaos, Complexity, and Education (2 papers) and Art, Technology, and Culture (2 papers). The work is most often cited by research in Music (104 citations), Visual Arts and Performing Arts (196 citations), Literature and Literary Theory (193 citations), Museology (17 citations) and History (62 citations). Martin Meisel has collaborated with scholars based in United States. Frequent co-authors include Joseph Viscomi, Stephen Bann, Ronald Paulson, Daniel J. Watermeier and Luce Irigaray. Their work appears in journals such as Studies in Romanticism, Nineteenth Century Contexts, Theatre Journal, MLN and The Modern Language Review.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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