Jan Simons

796 citations
23 papers · 129 · h-index 6

Impact in

Papers in

Jan Simons

16 papers receiving 95 citations

Peers

Jan Simons
Comparison fields: 5 of 38
  • Visual Arts and Performing Arts 38
  • Literature and Literary Theory 30
  • Music 7
  • Philosophy 19
  • Communication 9
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Citations per year

Countries citing papers authored by Jan Simons

Since Specialization
Citations

This map shows the geographic impact of Jan Simons's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jan Simons with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jan Simons more than expected).

Fields of papers citing papers by Jan Simons

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Jan Simons. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jan Simons. The network helps show where Jan Simons may publish in the future.

Co-authors

The 6 scholars most cited alongside Jan Simons, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Jan Simons Line = papers co-authored together Jan Simons links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 23 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Narrative, Games and Theory
200736
2
Digital Methods Initiative
200820
3 200816
4 19949
5 20079
6 20078
7
Tag-elese or The Language of Tags
20085
8 20085
9 20053
10 20083
11 20103
12 19942
13 20022
14 20172
15
Teorie del cinema: 1945-1990 [Review of: F. Casetti (1994) Teorie del cinema]
19941
16
Zapping One's Way into Quality: Arts Programmes on TV
19941
17
Questionable Quality or the Undiscoverable Quality of Television
19941
18 19981
19
Zwevende kiezers, zappende kijkers. Politieke beeldvorming op televisie
19981
20
Between iPhone and YouTube: movies on the move
20111

About Jan Simons

Jan Simons is a scholar working on Visual Arts and Performing Arts, Communication, Computer Networks and Communications, Literature and Literary Theory and Economics and Econometrics, having authored 23 papers that have together received 129 indexed citations. Recurring topics across this work include Cinema History and Criticism (11 papers), Media Studies and Communication (6 papers), Media and Digital Communication (6 papers), Cinema and Media Studies (3 papers), Narrative Theory and Analysis (2 papers), Art, Technology, and Culture (2 papers), Visual Culture and Art Theory (2 papers) and Photography and Visual Culture (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (38 citations), Literature and Literary Theory (30 citations), Music (7 citations), Philosophy (19 citations) and Communication (9 citations). Jan Simons has collaborated with scholars based in Netherlands and United Kingdom. Frequent co-authors include Thomas Elsaesser, L. van der Velden, Anne Helmond, Esther Weltevrede, Richard Rogers and Sabine Niederer. Their work appears in journals such as Journal of Film and Video, New Review of Film and Television Studies, Lecture notes in computer science, BiblioBoard Library Catalog (Open Research Library) and UvA-DARE (University of Amsterdam).

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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