Georges Didi‐Huberman

3.5k citations
150 papers · 969 · h-index 16

Impact in

Papers in

Georges Didi‐Huberman

100 papers receiving 610 citations

Peers

Georges Didi‐Huberman
Comparison fields: 5 of 87
  • Visual Arts and Performing Arts 263
  • General Arts and Humanities 26
  • History 201
  • Museology 54
  • History and Philosophy of Science 67
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Citations per year

Countries citing papers authored by Georges Didi‐Huberman

Since Specialization
Citations

This map shows the geographic impact of Georges Didi‐Huberman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Georges Didi‐Huberman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Georges Didi‐Huberman more than expected).

Fields of papers citing papers by Georges Didi‐Huberman

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Georges Didi‐Huberman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Georges Didi‐Huberman. The network helps show where Georges Didi‐Huberman may publish in the future.

Co-authors

The 25 scholars most cited alongside Georges Didi‐Huberman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Georges Didi‐Huberman Line = papers co-authored together Georges Didi‐Huberman links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 150 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Images in Spite of All: Four Photographs from Auschwitz
200895
2
Invention of hysteria : Charcot and the photographic iconography of the Salpêtrière
200367
3
Confronting Images: Questioning the Ends of a Certain History of Art
200554
4
Devant le temps : histoire de l'art et anachronisme des images
200044
5
Ce que nous voyons, ce qui nous regarde
199244
6
Quando as imagens tocam o real
201236
7
Images malgré tout
200330
8
La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille
199528
9
L'image survivante : histoire de l'art et temps des fantômes, selon Aby Warburg
200226
10
Invention de l'hystérie : Charcot et l'Iconographie photographique de la Salpêtrière
198226
11
Survivance des lucioles
200925
12
Atlas, ou, Le gai savoir inquiet
201124
13
Quand les images prennent position
200923
14
Ephemeral Bodies: Wax Sculpture and the Human Figure
200819
15 198918
16 200216
17
Fra Angelico : dissemblance et figuration
199515
18 199614
19 200313
20 198412

About Georges Didi‐Huberman

Georges Didi‐Huberman is a scholar working on Visual Arts and Performing Arts, History, Literature and Literary Theory, Sociology and Political Science and Philosophy, having authored 150 papers that have together received 969 indexed citations. Recurring topics across this work include Visual Culture and Art Theory (12 papers), Multidisciplinary Warburg-centric Studies (9 papers), Art, Aesthetics, and Perception (7 papers), Italian Fascism and Post-war Society (5 papers), Neurology and Historical Studies (5 papers), French Urban and Social Studies (5 papers), Diverse Cultural and Historical Studies (5 papers) and Art, Politics, and Modernism (5 papers). The work is most often cited by research in Visual Arts and Performing Arts (263 citations), General Arts and Humanities (26 citations), History (201 citations), Museology (54 citations) and History and Philosophy of Science (67 citations). Georges Didi‐Huberman has collaborated with scholars based in France, United States and Spain. Frequent co-authors include Alexander Nagel, Michael Bischoff, Laurent Zimmermann, Dana Polan, Pierre Bourdıeu, Alain Badiou, Judith Butler, Chris Miller, Jacques Rancière and Gerald Moore. Their work appears in journals such as Common Knowledge, Critical Inquiry, Journal of Visual Culture, Oxford Art Journal and Alea Estudos Neolatinos.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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