Georges Didi‐Huberman

109 papers receiving 723 citations

Peers

Georges Didi‐Huberman
Comparison fields: 5 of 92
  • Visual Arts and Performing Arts 318
  • General Arts and Humanities 29
  • History 251
  • Museology 64
  • Literature and Literary Theory 187
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Countries citing papers authored by Georges Didi‐Huberman

Since Specialization
Citations

This map shows the geographic impact of Georges Didi‐Huberman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Georges Didi‐Huberman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Georges Didi‐Huberman more than expected).

Fields of papers citing papers by Georges Didi‐Huberman

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Georges Didi‐Huberman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Georges Didi‐Huberman. The network helps show where Georges Didi‐Huberman may publish in the future.

Co-authors

The 25 scholars most cited alongside Georges Didi‐Huberman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Georges Didi‐Huberman Line = papers co-authored together Georges Didi‐Huberman links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 188 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Images in Spite of All: Four Photographs from Auschwitz
2008116
2
Invention of hysteria : Charcot and the photographic iconography of the Salpêtrière
200385
3
Confronting Images: Questioning the Ends of a Certain History of Art
200570
4
Devant le temps : histoire de l'art et anachronisme des images
200050
5
Ce que nous voyons, ce qui nous regarde
199250
6
Quando as imagens tocam o real
201239
7 199434
8
L'image survivante : histoire de l'art et temps des fantômes, selon Aby Warburg
200232
9
Invention de l'hystérie : Charcot et l'Iconographie photographique de la Salpêtrière
198232
10
Images malgré tout
200331
11
La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille
199529
12 198929
13
Survivance des lucioles
200925
14
Quand les images prennent position
200924
15
Atlas, ou, Le gai savoir inquiet
201124
16 200720
17
Ephemeral Bodies: Wax Sculpture and the Human Figure
200820
18 198618
19
Fra Angelico : dissemblance et figuration
199517
20 199817

About Georges Didi‐Huberman

Georges Didi‐Huberman is a scholar working on Visual Arts and Performing Arts, History, Literature and Literary Theory, Philosophy and Sociology and Political Science, having authored 188 papers that have together received 1.2k indexed citations. Recurring topics across this work include Visual Culture and Art Theory (12 papers), Multidisciplinary Warburg-centric Studies (11 papers), Art, Aesthetics, and Perception (7 papers), Cultural Insights and Digital Impacts (6 papers), German Literature and Culture Studies (6 papers), Neurology and Historical Studies (6 papers), French Urban and Social Studies (6 papers) and Italian Fascism and Post-war Society (5 papers). The work is most often cited by research in Visual Arts and Performing Arts (318 citations), General Arts and Humanities (29 citations), History (251 citations), Museology (64 citations) and Literature and Literary Theory (187 citations). Georges Didi‐Huberman has collaborated with scholars based in France, United States and Spain. Frequent co-authors include Michael Bischoff, Alexander Nagel, Dana Polan, Jacques Rancière, Alain Badiou, Judith Butler, Rosalind Krauss, Chris Miller, Yve-Alain Bois and Pierre Bourdıeu. Their work appears in journals such as Common Knowledge, Critical Inquiry, Oxford Art Journal, Alea Estudos Neolatinos and Journal of Visual Culture.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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