David Gerhard
Impact in
- Signal Processing top 5%
- Music and Audio Processing
- Speech and Audio Processing
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- Music Technology and Sound Studies
Papers in
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- Music Technology and Sound Studies 22
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- Music and Audio Processing 22
- Speech and Audio Processing 9
- Co-authors
- John M. Barden (3 shared papers)Yang Zhao (3 shared papers)Lijuan Peng (4 shared papers)Clemens Markus Brahms (2 shared papers)Daryl H. Hepting (2 shared papers)Witold Kinsner (1 shared paper)Xinglin Zhang (1 shared paper)Ying Ding (1 shared paper)
In The Last Decade
David Gerhard
32 papers receiving 266 citations
Peers
Comparison fields: 5 of 80
- Signal Processing 187
- Computer Vision and Pattern Recognition 134
- Human-Computer Interaction 28
- Developmental Biology 9
- Orthopedics and Sports Medicine 26
Countries citing papers authored by David Gerhard
This map shows the geographic impact of David Gerhard's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Gerhard with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Gerhard more than expected).
Fields of papers citing papers by David Gerhard
This network shows the impact of papers produced by David Gerhard. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Gerhard. The network helps show where David Gerhard may publish in the future.
Co-authors
The 11 scholars most cited alongside David Gerhard, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 39 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Pitch Extraction and Fundamental Frequency: History and Current Techniques | 2003 | 107 |
| 2 | Audio Signal Classification: History and Current Techniques | 2003 | 26 |
| 3 | 2006 | 21 | |
| 4 | 2020 | 18 | |
| 5 | 2018 | 18 | |
| 6 | 2009 | 15 | |
| 7 | 2008 | 13 | |
| 8 | Pitch-based acoustic feature analysis for the discrimination of speech and monophonic singing | 2002 | 10 |
| 9 | 2015 | 8 | |
| 10 | 2005 | 8 | |
| 11 | Audio Visualization in Phase Space | 1999 | 7 |
| 12 | 2013 | 6 | |
| 13 | 2011 | 6 | |
| 14 | Audio Signal Classification: An Overview | 2000 | 5 |
| 15 | Cross-Modal Parametric Composition | 2004 | 4 |
| 16 | 2018 | 4 | |
| 17 | Automatic Interval Naming Using Relative Pitch | 1998 | 3 |
| 18 | 2002 | 3 | |
| 19 | 2008 | 3 | |
| 20 | 2006 | 3 |
About David Gerhard
David Gerhard is a scholar working on Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience, Human-Computer Interaction and Music, having authored 39 papers that have together received 311 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (22 papers), Music and Audio Processing (22 papers), Speech and Audio Processing (9 papers), Tactile and Sensory Interactions (7 papers), Neuroscience and Music Perception (6 papers), Interactive and Immersive Displays (5 papers), Virtual Reality Applications and Impacts (2 papers) and Lower Extremity Biomechanics and Pathologies (2 papers). The work is most often cited by research in Signal Processing (187 citations), Computer Vision and Pattern Recognition (134 citations), Human-Computer Interaction (28 citations), Developmental Biology (9 citations) and Orthopedics and Sports Medicine (26 citations). David Gerhard has collaborated with scholars based in Canada, Bahrain and Germany. Frequent co-authors include John M. Barden, Yang Zhao, Lijuan Peng, Clemens Markus Brahms, Daryl H. Hepting, Witold Kinsner, Xinglin Zhang, Ying Ding, Howard J. Hamilton and Megan L. Smith. Their work appears in journals such as Journal of Biomechanics, Gait & Posture, The Journal of the Acoustical Society of America, Computer Music Journal and PRESENCE Virtual and Augmented Reality.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.