Daniel Arfib

494 citations
26 papers · 281 · h-index 7

Impact in

Papers in

Daniel Arfib

22 papers receiving 202 citations

Peers

Daniel Arfib
Comparison fields: 5 of 47
  • Signal Processing 201
  • Computer Vision and Pattern Recognition 201
  • Cognitive Neuroscience 125
  • Human-Computer Interaction 25
  • Music 5
Replace Claude Cadoz with:
Claude Cadoz France
Nicola Montecchio Italy
Jean-Loup Florens France
Axel Röbel France
Olivier Delerue France
Nils Peters Canada
Matthias Geier Germany
Frank Melchior United Kingdom
Sebastià V. Amengual Garí United States
Axel Mulder Canada
Daniel Arfib relative to Claude Cadoz France Claude Cadoz's profile →
Citations per field
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Citations per year

Countries citing papers authored by Daniel Arfib

Since Specialization
Citations

This map shows the geographic impact of Daniel Arfib's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Daniel Arfib with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Daniel Arfib more than expected).

Fields of papers citing papers by Daniel Arfib

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Daniel Arfib. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Daniel Arfib. The network helps show where Daniel Arfib may publish in the future.

Co-authors

The 7 scholars most cited alongside Daniel Arfib, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Daniel Arfib Line = papers co-authored together Daniel Arfib links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 26 papers — load more, or switch the sort, to bring in the rest.

#Work
1 200665
2 200262
3
Digital Synthesis of Complex Spectra by Means of Multiplication of Non Linear Distorted Sine Waves
197852
4 200526
5
TRADITIONAL (?) IMPLEMENTATIONS OF A PHASE-VOCODER: THE TRICKS OF THE TRADE
200017
6 19919
7 19938
8
GESTURAL STRATEGIES FOR SPECIFIC FILTERING PROCESSES
20025
9
IMPLEMENTATION STRATEGIES FOR ADAPTIVE DIGITAL AUDIO EFFECTS
20025
10
Gestural Control of Sound Synthesis and Processing Algorithms
20014
11 20024
12 20034
13
Alteration of the Vibrato of a Recorded Voice
19993
14
Selective Transformations of Sounds Using Time-Frequency Representations: An Application to the Vibrato Modification
19982
15
In the Intimacy of a Sound
19902
16 19922
17 20042
18 20092
19
Digital Synthesis of Complex Spectra by Means of Non-linear Distortion of Sine Waves and Amplitude Modulation.
19771
20
A Digital Version of the Photosonic Instrument
19991

About Daniel Arfib

Daniel Arfib is a scholar working on Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience, General Health Professions and Media Technology, having authored 26 papers that have together received 281 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (12 papers), Music and Audio Processing (9 papers), Speech and Audio Processing (7 papers), Tactile and Sensory Interactions (3 papers), Neuroscience and Music Perception (3 papers), Hermeneutics and Narrative Identity (2 papers), Image and Signal Denoising Methods (2 papers) and Advanced Signal Processing Techniques (2 papers). The work is most often cited by research in Signal Processing (201 citations), Computer Vision and Pattern Recognition (201 citations), Cognitive Neuroscience (125 citations), Human-Computer Interaction (25 citations) and Music (5 citations). Daniel Arfib has collaborated with scholars based in France, Italy and Germany. Frequent co-authors include Loïc Kessous, Udo Zölzer, Nathalie Delprat, Nicola Bernardini, Amalia de Götzen, Richard Kronland-Martinet and P. Guillemain. Their work appears in journals such as Journal of the Audio Engineering Society, Journal of New Music Research, Organised Sound, The Journal of the Acoustical Society of America and Computer Music Journal.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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