Tom O’Regan

1.4k citations
96 papers · 641 · h-index 13

Impact in

Papers in

    • Cultural Industries and Urban Development 39
    • Global Urban Networks and Dynamics 3
    • Media Studies and Communication 14

Tom O’Regan

73 papers receiving 464 citations

Peers

Tom O’Regan
Comparison fields: 5 of 59
  • Urban Studies 235
  • Communication 134
  • Visual Arts and Performing Arts 66
  • Gender Studies 89
  • Cultural Studies 66
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Citations per field
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Citations per year

Countries citing papers authored by Tom O’Regan

Since Specialization
Citations

This map shows the geographic impact of Tom O’Regan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Tom O’Regan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Tom O’Regan more than expected).

Fields of papers citing papers by Tom O’Regan

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Tom O’Regan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Tom O’Regan. The network helps show where Tom O’Regan may publish in the future.

Co-authors

The 14 scholars most cited alongside Tom O’Regan, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Tom O’Regan Line = papers co-authored together Tom O’Regan links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 96 papers — load more, or switch the sort, to bring in the rest.

#Work
1 2005110
2 200937
3 199133
4 199231
5
Media International Australia Incorporating Culture and Policy
200427
6 200624
7 200523
8 201120
9 201318
10 200215
11
Cinema Cities, Media Cities: The Contemporary International Studio Complex
200314
12 199214
13
Rating the Audience: The Business of Media
201114
14 199013
15 201911
16 202010
17
Mobilising the Audience
20029
18 20069
19 19948
20 20048

About Tom O’Regan

Tom O’Regan is a scholar working on Urban Studies, Communication, Economics and Econometrics, Visual Arts and Performing Arts and Sociology and Political Science, having authored 96 papers that have together received 641 indexed citations. Recurring topics across this work include Cultural Industries and Urban Development (39 papers), Cinema and Media Studies (25 papers), Media Studies and Communication (14 papers), African history and culture studies (4 papers), Digital Games and Media (4 papers), Australian History and Society (3 papers), South Asian Cinema and Culture (3 papers) and Global Urban Networks and Dynamics (3 papers). The work is most often cited by research in Urban Studies (235 citations), Communication (134 citations), Visual Arts and Performing Arts (66 citations), Gender Studies (89 citations) and Cultural Studies (66 citations). Tom O’Regan has collaborated with scholars based in Australia, New Zealand and United States. Frequent co-authors include Ben Goldsmith, Mark Balnaves, Lisanne Gibson, Anna Potter, Mark David Ryan, Julian Thomas, Stuart Cunningham, Albert Moran, Stephen D. Cox and Paul Jeffcutt. Their work appears in journals such as Continuum, Media International Australia, Studies In Australasian Cinema, Television & New Media and International Journal of Cultural Policy.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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