Theodore Gracyk

1.4k citations
48 papers · 604 · h-index 11

Impact in

Papers in

    • Music History and Culture 11
    • Musicology and Musical Analysis 8
    • Theater, Performance, and Music History 3
    • Diverse Music Education Insights 3
    • Visual Culture and Art Theory 4

Theodore Gracyk

36 papers receiving 339 citations

Peers

Theodore Gracyk
Comparison fields: 5 of 72
  • Music 278
  • Visual Arts and Performing Arts 63
  • History and Philosophy of Science 56
  • Philosophy 131
  • Cognitive Neuroscience 102
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Citations per year

Countries citing papers authored by Theodore Gracyk

Since Specialization
Citations

This map shows the geographic impact of Theodore Gracyk's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Theodore Gracyk with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Theodore Gracyk more than expected).

Fields of papers citing papers by Theodore Gracyk

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Theodore Gracyk. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Theodore Gracyk. The network helps show where Theodore Gracyk may publish in the future.

Co-authors

The 9 scholars most cited alongside Theodore Gracyk, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Theodore Gracyk Line = papers co-authored together Theodore Gracyk links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 48 papers — load more, or switch the sort, to bring in the rest.

#Work
1 1996134
2 200767
3 199953
4 199950
5 199445
6 199444
7 201834
8 199330
9 199716
10 200314
11 198712
12 199211
13 199910
14
Does Everyone Have a Musical Identity?: Reflections on "Musical Identities".
20047
15
Performer, Persona, and the Evaluation of Musical Performance
20177
16 19907
17 19866
18 20136
19 20026
20 19936

About Theodore Gracyk

Theodore Gracyk is a scholar working on Music, Visual Arts and Performing Arts, Philosophy, Computer Vision and Pattern Recognition and Cognitive Neuroscience, having authored 48 papers that have together received 604 indexed citations. Recurring topics across this work include Music History and Culture (11 papers), Musicology and Musical Analysis (8 papers), Music Technology and Sound Studies (7 papers), Aesthetic Perception and Analysis (6 papers), Visual Culture and Art Theory (4 papers), Theater, Performance, and Music History (3 papers), Diverse Music Education Insights (3 papers) and Ethics, Aesthetics, and Art (3 papers). The work is most often cited by research in Music (278 citations), Visual Arts and Performing Arts (63 citations), History and Philosophy of Science (56 citations), Philosophy (131 citations) and Cognitive Neuroscience (102 citations). Theodore Gracyk has collaborated with scholars based in United States and United Kingdom. Frequent co-authors include Allan F. Moore, Jack M. Bernstein, George T. Dickie, Colin Lyas, Gordon Graham, David Goldblatt, Lee B. Brown, Robert Stecker and Andrew Kania. Their work appears in journals such as Journal of Aesthetics and Art Criticism, The British Journal of Aesthetics, Philosophy Compass, The Modern Schoolman and Genre.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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