Theodore Gracyk

1.4k citations
42 papers · 447 · h-index 10

Impact in

Papers in

    • Music History and Culture 11
    • Musicology and Musical Analysis 8
    • Theater, Performance, and Music History 3
    • Diverse Music Education Insights 3
    • Music Technology and Sound Studies 7

Theodore Gracyk

32 papers receiving 295 citations

Peers

Theodore Gracyk
Comparison fields: 5 of 63
  • Music 256
  • Visual Arts and Performing Arts 51
  • Philosophy 54
  • Computer Vision and Pattern Recognition 85
  • Cognitive Neuroscience 78
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Countries citing papers authored by Theodore Gracyk

Since Specialization
Citations

This map shows the geographic impact of Theodore Gracyk's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Theodore Gracyk with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Theodore Gracyk more than expected).

Fields of papers citing papers by Theodore Gracyk

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Theodore Gracyk. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Theodore Gracyk. The network helps show where Theodore Gracyk may publish in the future.

Co-authors

The 7 scholars most cited alongside Theodore Gracyk, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Theodore Gracyk Line = papers co-authored together Theodore Gracyk links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 42 papers — load more, or switch the sort, to bring in the rest.

#Work
1 1996120
2 199949
3 199447
4 199940
5 200731
6 199320
7 199716
8 199912
9 198711
10 199211
11 20039
12
Does Everyone Have a Musical Identity?: Reflections on "Musical Identities".
20047
13 19907
14 20026
15 19946
16 20136
17 19865
18 20165
19 20185
20
Performer, Persona, and the Evaluation of Musical Performance
20174

About Theodore Gracyk

Theodore Gracyk is a scholar working on Music, Computer Vision and Pattern Recognition, Cognitive Neuroscience, Philosophy and Sociology and Political Science, having authored 42 papers that have together received 447 indexed citations. Recurring topics across this work include Music History and Culture (11 papers), Musicology and Musical Analysis (8 papers), Music Technology and Sound Studies (7 papers), Aesthetic Perception and Analysis (5 papers), Visual Culture and Art Theory (3 papers), Theater, Performance, and Music History (3 papers), Diverse Music Education Insights (3 papers) and Ethics, Aesthetics, and Art (3 papers). The work is most often cited by research in Music (256 citations), Visual Arts and Performing Arts (51 citations), Philosophy (54 citations), Computer Vision and Pattern Recognition (85 citations) and Cognitive Neuroscience (78 citations). Theodore Gracyk has collaborated with scholars based in United States. Frequent co-authors include Allan F. Moore, Colin Lyas, George Dickie, Gordon Graham, Jack Bernstein, Lee B. Brown and David Goldblatt. Their work appears in journals such as Journal of Aesthetics and Art Criticism, The British Journal of Aesthetics, Philosophy Compass, The Monist and The Philosophical Review.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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