Theodore Gracyk

1.4k citations
46 papers · 615 · h-index 12

Impact in

Papers in

    • Music History and Culture 11
    • Musicology and Musical Analysis 8
    • Diverse Music Education Insights 3
    • Theater, Performance, and Music History 3
    • Music Technology and Sound Studies 7

Theodore Gracyk

34 papers receiving 354 citations

Peers

Theodore Gracyk
Comparison fields: 5 of 72
  • Music 290
  • Visual Arts and Performing Arts 60
  • History and Philosophy of Science 58
  • Philosophy 134
  • Cognitive Neuroscience 99
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Citations per year

Countries citing papers authored by Theodore Gracyk

Since Specialization
Citations

This map shows the geographic impact of Theodore Gracyk's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Theodore Gracyk with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Theodore Gracyk more than expected).

Fields of papers citing papers by Theodore Gracyk

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Theodore Gracyk. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Theodore Gracyk. The network helps show where Theodore Gracyk may publish in the future.

Co-authors

The 9 scholars most cited alongside Theodore Gracyk, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Theodore Gracyk Line = papers co-authored together Theodore Gracyk links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 46 papers — load more, or switch the sort, to bring in the rest.

#Work
1 1996137
2 200767
3 199954
4 199953
5 199449
6 199446
7 201834
8 199328
9 199718
10 200314
11 199913
12 198712
13 199211
14
Does Everyone Have a Musical Identity?: Reflections on "Musical Identities".
20047
15 19907
16 20116
17 20136
18 20026
19 19866
20 20165

About Theodore Gracyk

Theodore Gracyk is a scholar working on Music, Computer Vision and Pattern Recognition, Cognitive Neuroscience, Philosophy and Visual Arts and Performing Arts, having authored 46 papers that have together received 615 indexed citations. Recurring topics across this work include Music History and Culture (11 papers), Musicology and Musical Analysis (8 papers), Music Technology and Sound Studies (7 papers), Aesthetic Perception and Analysis (6 papers), Visual Culture and Art Theory (4 papers), Diverse Music Education Insights (3 papers), Theater, Performance, and Music History (3 papers) and Ethics, Aesthetics, and Art (3 papers). The work is most often cited by research in Music (290 citations), Visual Arts and Performing Arts (60 citations), History and Philosophy of Science (58 citations), Philosophy (134 citations) and Cognitive Neuroscience (99 citations). Theodore Gracyk has collaborated with scholars based in United States and United Kingdom. Frequent co-authors include Allan F. Moore, Jack Bernstein, Gordon Graham, Colin Lyas, George Dickie, David Goldblatt, Lee B. Brown, Robert Stecker and Andrew Kania. Their work appears in journals such as Journal of Aesthetics and Art Criticism, The British Journal of Aesthetics, Philosophy Compass, Contemporary Sociology A Journal of Reviews and Philosophy and literature.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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