Susan Bennett

35 papers receiving 394 citations

Susan Bennett's Hit Papers

Theatre Audiences: A Theory of Production and Reception 1990 · 179 citations
1790+12+24Years since publication50100150

Peers

Susan Bennett
Comparison fields: 5 of 86
  • Visual Arts and Performing Arts 149
  • Music 50
  • Literature and Literary Theory 90
  • Sociology and Political Science 224
  • Museology 17
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Countries citing papers authored by Susan Bennett

Since Specialization
Citations

This map shows the geographic impact of Susan Bennett's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Susan Bennett with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Susan Bennett more than expected).

Fields of papers citing papers by Susan Bennett

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Susan Bennett. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Susan Bennett. The network helps show where Susan Bennett may publish in the future.

Co-authors

The 25 scholars most cited alongside Susan Bennett, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Susan Bennett Line = papers co-authored together Susan Bennett links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 53 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Theatre Audiences: A Theory of Production and Reception
Hit paper breakdown →
1990179
2 2002151
3 199240
4 199020
5 199417
6 201816
7 200516
8 200014
9 201610
10 20138
11 20138
12 20187
13
Ivo Van Hove: From Shakespeare to David Bowie
20186
14
A minimally intrusive monitoring system that utilizes electricity consumption as a proxyfor wellbeing
20145
15 20135
16 20024
17 20064
18 20064
19 20154
20 20163

About Susan Bennett

Susan Bennett is a scholar working on Visual Arts and Performing Arts, Literature and Literary Theory, Sociology and Political Science, Political Science and International Relations and Music, having authored 53 papers that have together received 549 indexed citations. Recurring topics across this work include Theatre and Performance Studies (16 papers), Shakespeare, Adaptation, and Literary Criticism (11 papers), Irish and British Studies (5 papers), Theater, Performance, and Music History (3 papers), Canadian Identity and History (3 papers), Legal Education and Practice Innovations (2 papers), Cultural Studies and Interdisciplinary Research (2 papers) and Cinema and Media Studies (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (149 citations), Music (50 citations), Literature and Literary Theory (90 citations), Sociology and Political Science (224 citations) and Museology (17 citations). Susan Bennett has collaborated with scholars based in Canada, United States and Australia. Frequent co-authors include Jack Levin, Jack McDevitt, Jill Dolan, Michael Feldstein, Susan E. Bennett, Robert S. Lawrence, Annlouise R. Assaf, Sonia Massai, Marlis Schweitzer and Michelene Wandor. Their work appears in journals such as Canadian Theatre Review, Theatre Journal, Theatre Survey, Theatre Research in Canada and Modern Drama.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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