Murray Forman
Impact in
- Music top 0.5%
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
- Cultural Studies top 1%
- Latin American and Latino Studies
- Caribbean history, culture, and politics
Papers in
- Music 19
- Music History and Culture 19
- Theater, Performance, and Music History 2
- Diverse Musicological Studies 2
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- Crime, Deviance, and Social Control 2
- Migration, Ethnicity, and Economy 2
Murray Forman
19 papers receiving 291 citations
Peers
Comparison fields: 5 of 51
- Music 269
- Cultural Studies 102
- Urban Studies 41
- Linguistics and Language 25
- Communication 30
Countries citing papers authored by Murray Forman
This map shows the geographic impact of Murray Forman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Murray Forman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Murray Forman more than expected).
Fields of papers citing papers by Murray Forman
This network shows the impact of papers produced by Murray Forman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Murray Forman. The network helps show where Murray Forman may publish in the future.
Co-authors
The 2 scholars most cited alongside Murray Forman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 27 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop | 2002 | 191 |
| 2 | 2000 | 92 | |
| 3 | 2001 | 40 | |
| 4 | 1994 | 17 | |
| 5 | 2010 | 10 | |
| 6 | 2002 | 10 | |
| 7 | 2002 | 8 | |
| 8 | 2002 | 6 | |
| 9 | 2020 | 5 | |
| 10 | 2012 | 4 | |
| 11 | 2003 | 4 | |
| 12 | 1995 | 4 | |
| 13 | 2012 | 4 | |
| 14 | 2014 | 4 | |
| 15 | 2013 | 4 | |
| 16 | 2004 | 3 | |
| 17 | 2006 | 2 | |
| 18 | 1992 | 2 | |
| 19 | U.S. Hip-Hop Studies: Formation, Flow and Trajectory. An Interview with Murray Forman | 2020 | 1 |
| 20 | "The âhood comes first" : race, space and place in Rap music and Hip Hop, 1978-1996 | 1997 | 0 |
About Murray Forman
Murray Forman is a scholar working on Music, Sociology and Political Science, Cultural Studies, Urban Studies and Communication, having authored 27 papers that have together received 411 indexed citations. Recurring topics across this work include Music History and Culture (19 papers), Latin American and Latino Studies (4 papers), Cultural Industries and Urban Development (3 papers), Crime, Deviance, and Social Control (2 papers), Theater, Performance, and Music History (2 papers), American Political and Social Dynamics (2 papers), Migration, Ethnicity, and Economy (2 papers) and Diverse Musicological Studies (2 papers). The work is most often cited by research in Music (269 citations), Cultural Studies (102 citations), Urban Studies (41 citations), Linguistics and Language (25 citations) and Communication (30 citations). Murray Forman has collaborated with scholars based in United States, Canada and Mexico. Frequent co-authors include Jeff Chang and Mark Anthony Neal. Their work appears in journals such as Popular Music, Cultural Politics an International Journal, The Journal of Popular Culture, Journal of Popular Music Studies and Popular Music & Society.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.