Michael Tenzer

476 citations
22 papers · 133 · h-index 6

Impact in

  • Music top 2%
    • Music History and Culture
    • Musicology and Musical Analysis
    • Diverse Musicological Studies
    • Diverse Music Education Insights

Papers in

Michael Tenzer

19 papers receiving 74 citations

Peers

Michael Tenzer
Comparison fields: 5 of 33
  • Music 78
  • Cultural Studies 25
  • Anthropology 20
  • Architecture 3
  • Developmental Biology 3
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Citations per year

Countries citing papers authored by Michael Tenzer

Since Specialization
Citations

This map shows the geographic impact of Michael Tenzer's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Michael Tenzer with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Michael Tenzer more than expected).

Fields of papers citing papers by Michael Tenzer

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Michael Tenzer. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Michael Tenzer. The network helps show where Michael Tenzer may publish in the future.

Co-authors

The 2 scholars most cited alongside Michael Tenzer, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Michael Tenzer Line = papers co-authored together Michael Tenzer links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 22 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music
200055
2 201120
3 200616
4 20036
5 20126
6 20005
7 19975
8
Balinese Gamelan Music
20114
9
Temporal Transformations In Cross-Cultural Perspective: Augmentation In Baroque, Carnatic And Balinese Music
20102
10
Nicole REVEL, Harry Arlo NIMMO, Alain MARTENOT, Gérard RIXHON, Talib Lim SABGOGOT et Olivier TOURNY : Silungan Baltapa : The Voyage to Heaven of a Sama Hero / Le Voyage au Ciel d’un Héros Sama. Paris : Guenther / Centre National de la Recherche Scientifique, 2005
20072
11 19932
12 20171
13 20001
14 20181
15 20111
16 20111
17 20051
18 20111
19 20101
20 20171

About Michael Tenzer

Michael Tenzer is a scholar working on Music, Sociology and Political Science, Anthropology, Signal Processing and Political Science and International Relations, having authored 22 papers that have together received 133 indexed citations. Recurring topics across this work include Diverse Musicological Studies (14 papers), Musicology and Musical Analysis (11 papers), Music History and Culture (8 papers), Asian Studies and History (3 papers), Music and Audio Processing (3 papers), Philippine History and Culture (2 papers), Cross-Cultural and Social Analysis (1 paper) and Joseph Conrad and Literature (1 paper). The work is most often cited by research in Music (78 citations), Cultural Studies (25 citations), Anthropology (20 citations), Architecture (3 citations) and Developmental Biology (3 citations). Michael Tenzer has collaborated with scholars based in Canada. Frequent co-authors include Claus Neumann and Uwe Riechert. Their work appears in journals such as Asian Music, Ethnomusicology, Music Theory Online, Music Theory Spectrum and Indonesia.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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