Michael Talbot
Impact in
- Music top 2%
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Theater, Performance, and Music History
- Music History and Culture
-
- Paranormal Experiences and Beliefs
Papers in
- Music 37
- Musicology and Musical Analysis 33
- Diverse Musicological Studies 26
- Theater, Performance, and Music History 6
-
- Historical Influence and Diplomacy 21
- Islamic Studies and History 5
- Co-authors
- Lene Schøsler (1 shared paper)Klaus Hofmann (1 shared paper)Amrita Sethi (1 shared paper)Bennett Zon (1 shared paper)Christoph Wolff (1 shared paper)Andreas Glöckner (1 shared paper)Michael Märker (1 shared paper)Robert L. Hill (1 shared paper)
- Journals
- Notes (5 papers)Journal of the Royal Musical Association (4 papers)Music and Letters (4 papers)Early Music (2 papers)Italian Studies (2 papers)
- Partner nations
- United KingdomFranceUnited States
In The Last Decade
Michael Talbot
41 papers receiving 139 citations
Peers
Comparison fields: 5 of 80
- Music 67
- Social Psychology 43
- History 21
- Political Science and International Relations 40
- Philosophy 18
Countries citing papers authored by Michael Talbot
This map shows the geographic impact of Michael Talbot's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Michael Talbot with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Michael Talbot more than expected).
Fields of papers citing papers by Michael Talbot
This network shows the impact of papers produced by Michael Talbot. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Michael Talbot. The network helps show where Michael Talbot may publish in the future.
Co-authors
The 25 scholars most cited alongside Michael Talbot, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 74 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | The Holographic Universe | 1991 | 97 |
| 2 | Mysticism and the New Physics | 1981 | 19 |
| 3 | The musical work : reality or invention? | 2000 | 17 |
| 4 | 2017 | 7 | |
| 5 | 2001 | 6 | |
| 6 | British-Ottoman Relations, 1661-1807: Commerce and Diplomatic Practice in Eighteenth-Century Istanbul | 2017 | 5 |
| 7 | 2006 | 4 | |
| 8 | The Holographic Universe: The Revolutionary Theory of Reality | 2011 | 4 |
| 9 | 2006 | 4 | |
| 10 | 2011 | 3 | |
| 11 | 1974 | 3 | |
| 12 | 1971 | 3 | |
| 13 | 1999 | 2 | |
| 14 | 1985 | 2 | |
| 15 | 2013 | 2 | |
| 16 | 2004 | 2 | |
| 17 | 2016 | 2 | |
| 18 | 2010 | 2 | |
| 19 | 1985 | 2 | |
| 20 | 1988 | 2 |
About Michael Talbot
Michael Talbot is a scholar working on Music, Political Science and International Relations, History, Sociology and Political Science and Computer Vision and Pattern Recognition, having authored 74 papers that have together received 223 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (33 papers), Diverse Musicological Studies (26 papers), Historical Influence and Diplomacy (21 papers), Theater, Performance, and Music History (6 papers), Historical and Archaeological Studies (5 papers), Islamic Studies and History (5 papers), Music Technology and Sound Studies (4 papers) and Italian Literature and Culture (4 papers). The work is most often cited by research in Music (67 citations), Social Psychology (43 citations), History (21 citations), Political Science and International Relations (40 citations) and Philosophy (18 citations). Michael Talbot has collaborated with scholars based in United Kingdom, France and United States. Frequent co-authors include Lene Schøsler, Klaus Hofmann, Amrita Sethi, Bennett Zon, Christoph Wolff, Andreas Glöckner, Michael Märker, Robert L. Hill, Amy Tyberg and Nikhil A. Kumta. Their work appears in journals such as Notes, Journal of the Royal Musical Association, Music and Letters, Early Music and Italian Studies.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.