Michael Talbot
Impact in
- Music top 1%
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Theater, Performance, and Music History
- Music History and Culture
Papers in
- Music 49
- Musicology and Musical Analysis 44
- Diverse Musicological Studies 36
- Theater, Performance, and Music History 7
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- Historical Influence and Diplomacy 25
- Islamic Studies and History 9
- Co-authors
- Lene Schøsler (1 shared paper)Kevin M. Reavis (1 shared paper)Arnon Lambroza (1 shared paper)Nikhil A. Kumta (1 shared paper)Payal Saxena (1 shared paper)Hans Schulze (1 shared paper)Michael Maerker (1 shared paper)David Wright (1 shared paper)
- Journals
- Music and Letters (5 papers)Notes (5 papers)Journal of the Royal Musical Association (4 papers)Italian Studies (2 papers)Early Music (2 papers)
- Partner nations
- United KingdomFranceUnited States
In The Last Decade
Michael Talbot
53 papers receiving 220 citations
Peers
Comparison fields: 5 of 91
- Music 153
- Classics 16
- History 43
- Museology 10
- Political Science and International Relations 67
Countries citing papers authored by Michael Talbot
This map shows the geographic impact of Michael Talbot's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Michael Talbot with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Michael Talbot more than expected).
Fields of papers citing papers by Michael Talbot
This network shows the impact of papers produced by Michael Talbot. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Michael Talbot. The network helps show where Michael Talbot may publish in the future.
Co-authors
The 25 scholars most cited alongside Michael Talbot, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 98 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | The Holographic Universe | 1991 | 117 |
| 2 | 2001 | 41 | |
| 3 | Mysticism and the New Physics | 1981 | 24 |
| 4 | The musical work : reality or invention? | 2000 | 23 |
| 5 | 1994 | 20 | |
| 6 | 2000 | 19 | |
| 7 | 2017 | 8 | |
| 8 | 2016 | 7 | |
| 9 | The Holographic Universe: The Revolutionary Theory of Reality | 2011 | 7 |
| 10 | 2016 | 7 | |
| 11 | 2006 | 6 | |
| 12 | 1985 | 5 | |
| 13 | British-Ottoman Relations, 1661-1807: Commerce and Diplomatic Practice in Eighteenth-Century Istanbul | 2017 | 5 |
| 14 | 1971 | 5 | |
| 15 | 2006 | 4 | |
| 16 | 1994 | 4 | |
| 17 | 2011 | 4 | |
| 18 | 2016 | 3 | |
| 19 | 1985 | 3 | |
| 20 | 1999 | 3 |
About Michael Talbot
Michael Talbot is a scholar working on Music, Political Science and International Relations, History, Sociology and Political Science and Computer Vision and Pattern Recognition, having authored 98 papers that have together received 375 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (44 papers), Diverse Musicological Studies (36 papers), Historical Influence and Diplomacy (25 papers), Islamic Studies and History (9 papers), Music Technology and Sound Studies (7 papers), Theater, Performance, and Music History (7 papers), Historical and Archaeological Studies (5 papers) and Historical Economic and Social Studies (5 papers). The work is most often cited by research in Music (153 citations), Classics (16 citations), History (43 citations), Museology (10 citations) and Political Science and International Relations (67 citations). Michael Talbot has collaborated with scholars based in United Kingdom, France and United States. Frequent co-authors include Lene Schøsler, Kevin M. Reavis, Arnon Lambroza, Nikhil A. Kumta, Payal Saxena, Hans Schulze, Michael Maerker, David Wright, Bennett Zon and Giancarlo Casale. Their work appears in journals such as Music and Letters, Notes, Journal of the Royal Musical Association, Italian Studies and Early Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.