Mark Slobin

1.8k citations
81 papers · 875 · 1 hit paper · h-index 14

Impact in

  • Music top 0.2%
    • Music History and Culture
    • Musicology and Musical Analysis
    • Diverse Musicological Studies
    • Theater, Performance, and Music History
    • Diverse Music Education Insights
    • Asian Culture and Media Studies

Papers in

    • Diverse Musicological Studies 26
    • Music History and Culture 26
    • Musicology and Musical Analysis 19
    • Jewish and Middle Eastern Studies 13
    • Race, History, and American Society 7

Mark Slobin

55 papers receiving 473 citations

Mark Slobin's Hit Papers

Subcultural Sounds: Micromusics of the West 1993 · 242 citations
2420+11+22Years since publication50100150200

Peers

Mark Slobin
Comparison fields: 5 of 58
  • Music 523
  • Cultural Studies 106
  • Anthropology 89
  • Literature and Literary Theory 82
  • Visual Arts and Performing Arts 33
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Mark Slobin relative to Philip V. Bohlman United States Philip V. Bohlman's profile →
Citations per field
00.5×1.5×
Philip V. Bohlman · 1×
Citations per year

Countries citing papers authored by Mark Slobin

Since Specialization
Citations

This map shows the geographic impact of Mark Slobin's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark Slobin with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark Slobin more than expected).

Fields of papers citing papers by Mark Slobin

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mark Slobin. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark Slobin. The network helps show where Mark Slobin may publish in the future.

Co-authors

The 22 scholars most cited alongside Mark Slobin, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Mark Slobin Line = papers co-authored together Mark Slobin links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 81 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Subcultural Sounds: Micromusics of the West
Hit paper breakdown →
1993242
2 199281
3 198358
4 199350
5 196736
6 199428
7 199025
8 197723
9 197919
10 199818
11
Jewish instrumental folk music : the collections and writings of Moshe Beregovski
200116
12 197716
13 198414
14 197614
15 198312
16 198412
17 200212
18 198412
19 201511
20 199711

About Mark Slobin

Mark Slobin is a scholar working on Music, Sociology and Political Science, Political Science and International Relations, Literature and Literary Theory and Demography, having authored 81 papers that have together received 875 indexed citations. Recurring topics across this work include Diverse Musicological Studies (26 papers), Music History and Culture (26 papers), Musicology and Musical Analysis (19 papers), Jewish and Middle Eastern Studies (13 papers), Politics and Conflicts in Afghanistan, Pakistan, and Middle East (9 papers), Race, History, and American Society (7 papers), Folklore, Mythology, and Literature Studies (6 papers) and Jewish Identity and Society (6 papers). The work is most often cited by research in Music (523 citations), Cultural Studies (106 citations), Anthropology (89 citations), Literature and Literary Theory (82 citations) and Visual Arts and Performing Arts (33 citations). Mark Slobin has collaborated with scholars based in United States. Frequent co-authors include Jack Santino, John Hoberman, Edward A. Allworth, John Baily, Ellen Koskoff, Paul Berliner, Lois Ibsen al Faruqi, J. Alan Winter, Philip V. Bohlman and Jeff Todd Tıton. Their work appears in journals such as Ethnomusicology, Yearbook for Traditional Music, Notes, Asian Music and American Music.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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