Mark Evan Bonds

1.7k citations
31 papers · 314 · h-index 10

Impact in

  • Music top 0.5%
    • Musicology and Musical Analysis
    • Music History and Culture
    • Diverse Music Education Insights
    • Theater, Performance, and Music History
    • Diverse Musicological Studies
    • Neuroscience and Music Perception

Papers in

    • Musicology and Musical Analysis 24
    • Diverse Musicological Studies 9
    • Diverse Music Education Insights 6
    • Music History and Culture 3
    • Theater, Performance, and Music History 2
    • Music Technology and Sound Studies 5

Mark Evan Bonds

26 papers receiving 147 citations

Peers

Mark Evan Bonds
Comparison fields: 5 of 43
  • Music 251
  • Cognitive Neuroscience 91
  • Visual Arts and Performing Arts 22
  • Literature and Literary Theory 32
  • Experimental and Cognitive Psychology 29
Replace Arnold Whittall with:
Arnold Whittall United Kingdom
Philip Alperson United States
Ruth A. Solie United States
David Neumeyer United States
Steve Sweeney‐Turner South Korea
Leo Treitler United States
Philip Gossett United States
Robert S. Hatten United States
Joseph Kerman United States
Doris Evans McGinty United States
Mark Evan Bonds relative to Arnold Whittall United Kingdom Arnold Whittall's profile →
Citations per field
00.5×3.3×
Arnold Whittall · 1×
Citations per year

Countries citing papers authored by Mark Evan Bonds

Since Specialization
Citations

This map shows the geographic impact of Mark Evan Bonds's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark Evan Bonds with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark Evan Bonds more than expected).

Fields of papers citing papers by Mark Evan Bonds

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mark Evan Bonds. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark Evan Bonds. The network helps show where Mark Evan Bonds may publish in the future.

Co-authors

The 14 scholars most cited alongside Mark Evan Bonds, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Mark Evan Bonds Line = papers co-authored together Mark Evan Bonds links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 31 papers — load more, or switch the sort, to bring in the rest.

#Work
1 199345
2 199744
3 199140
4 200930
5 201426
6 199121
7 199615
8 201012
9
Haydn's false recapitulations and the perception of sonata form in the eighteenth century
198810
10 199610
11 19927
12 19887
13 19916
14 20175
15 20135
16 19945
17 20075
18
Selecting Dots, Connecting Dots: The Score Anthology as History
20114
19 20203
20 19973

About Mark Evan Bonds

Mark Evan Bonds is a scholar working on Music, Computer Vision and Pattern Recognition, Cognitive Neuroscience, Rehabilitation and Literature and Literary Theory, having authored 31 papers that have together received 314 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (24 papers), Diverse Musicological Studies (9 papers), Diverse Music Education Insights (6 papers), Music Technology and Sound Studies (5 papers), Neuroscience and Music Perception (4 papers), Musicians’ Health and Performance (3 papers), Music History and Culture (3 papers) and Theater, Performance, and Music History (2 papers). The work is most often cited by research in Music (251 citations), Cognitive Neuroscience (91 citations), Visual Arts and Performing Arts (22 citations), Literature and Literary Theory (32 citations) and Experimental and Cognitive Psychology (29 citations). Mark Evan Bonds has collaborated with scholars based in United States and Ireland. Frequent co-authors include George J. Buelow, Carl Dahlhaus, Julian Horton, Mary Sue Morrow, David Fanning, Steven Vande Moortele, David B. Levy, David Brodbeck, John Irving and Michael Spitzer. Their work appears in journals such as Journal of the American Musicological Society, Notes, Journal of Musicology, 19th-Century Music and The British Journal of Aesthetics.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

Explore authors with similar magnitude of impact