Mark Evan Bonds
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Music Education Insights
- Theater, Performance, and Music History
- Diverse Musicological Studies
Papers in
- Music 23
- Musicology and Musical Analysis 22
- Diverse Musicological Studies 8
- Diverse Music Education Insights 5
- Theater, Performance, and Music History 2
- Music History and Culture 2
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- Music Technology and Sound Studies 5
- Co-authors
- George J. Buelow (1 shared paper)Carl Dahlhaus (1 shared paper)Mary Sue Morrow (1 shared paper)Michael Spitzer (1 shared paper)Julian Horton (1 shared paper)Steven Vande Moortele (1 shared paper)David Fanning (1 shared paper)Simon P. Keefe (1 shared paper)
- Journals
- Journal of the American Musicological Society (5 papers)Notes (4 papers)Journal of Musicology (3 papers)19th-Century Music (1 paper)Music and Letters (1 paper)
- Partner nations
- United StatesIreland
In The Last Decade
Mark Evan Bonds
26 papers receiving 148 citations
Peers
Comparison fields: 5 of 43
- Music 247
- Visual Arts and Performing Arts 22
- Cognitive Neuroscience 86
- Literature and Literary Theory 33
- Experimental and Cognitive Psychology 29
Countries citing papers authored by Mark Evan Bonds
This map shows the geographic impact of Mark Evan Bonds's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark Evan Bonds with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark Evan Bonds more than expected).
Fields of papers citing papers by Mark Evan Bonds
This network shows the impact of papers produced by Mark Evan Bonds. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark Evan Bonds. The network helps show where Mark Evan Bonds may publish in the future.
Co-authors
The 14 scholars most cited alongside Mark Evan Bonds, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 29 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1997 | 44 | |
| 2 | 1993 | 44 | |
| 3 | 1991 | 39 | |
| 4 | 2009 | 30 | |
| 5 | 2014 | 26 | |
| 6 | 1991 | 20 | |
| 7 | 1996 | 15 | |
| 8 | 2010 | 12 | |
| 9 | Haydn's false recapitulations and the perception of sonata form in the eighteenth century | 1988 | 10 |
| 10 | 1996 | 10 | |
| 11 | 1992 | 7 | |
| 12 | 1988 | 7 | |
| 13 | 1991 | 6 | |
| 14 | 1994 | 5 | |
| 15 | 2007 | 5 | |
| 16 | 2013 | 5 | |
| 17 | Selecting Dots, Connecting Dots: The Score Anthology as History | 2011 | 4 |
| 18 | 2017 | 4 | |
| 19 | Music as thought | 2006 | 3 |
| 20 | 1997 | 3 |
About Mark Evan Bonds
Mark Evan Bonds is a scholar working on Music, Computer Vision and Pattern Recognition, Rehabilitation, Cognitive Neuroscience and Literature and Literary Theory, having authored 29 papers that have together received 309 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (22 papers), Diverse Musicological Studies (8 papers), Diverse Music Education Insights (5 papers), Music Technology and Sound Studies (5 papers), Musicians’ Health and Performance (3 papers), Neuroscience and Music Perception (3 papers), Theater, Performance, and Music History (2 papers) and Music History and Culture (2 papers). The work is most often cited by research in Music (247 citations), Visual Arts and Performing Arts (22 citations), Cognitive Neuroscience (86 citations), Literature and Literary Theory (33 citations) and Experimental and Cognitive Psychology (29 citations). Mark Evan Bonds has collaborated with scholars based in United States and Ireland. Frequent co-authors include George J. Buelow, Carl Dahlhaus, Mary Sue Morrow, Michael Spitzer, Julian Horton, Steven Vande Moortele, David Fanning, Simon P. Keefe, John Irving and John Williamson. Their work appears in journals such as Journal of the American Musicological Society, Notes, Journal of Musicology, 19th-Century Music and Music and Letters.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.