Joseph Kerman
Impact in
- Music top 0.2%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Theater, Performance, and Music History
- Diverse Music Education Insights
Papers in
- Music 46
- Musicology and Musical Analysis 43
- Diverse Musicological Studies 16
- Music History and Culture 7
- Diverse Music Education Insights 4
- Theater, Performance, and Music History 4
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- Neuroscience and Music Perception 7
- Co-authors
- James Porter (1 shared paper)Richard Taruskin (3 shared papers)Alan Tyson (2 shared papers)Jonathan Dunsby (1 shared paper)Thomas S. Grey (1 shared paper)Walther R. Volbach (1 shared paper)Arthur Berger (1 shared paper)Walter L. Woodfill (1 shared paper)
- Journals
- Notes (9 papers)19th-Century Music (9 papers)Journal of the American Musicological Society (6 papers)Journal of Musicology (4 papers)Early Music (3 papers)
- Partner nations
- United States
In The Last Decade
Joseph Kerman
45 papers receiving 315 citations
Peers
Comparison fields: 5 of 60
- Music 514
- Visual Arts and Performing Arts 54
- Classics 39
- Literature and Literary Theory 82
- History 70
Countries citing papers authored by Joseph Kerman
This map shows the geographic impact of Joseph Kerman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Joseph Kerman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Joseph Kerman more than expected).
Fields of papers citing papers by Joseph Kerman
This network shows the impact of papers produced by Joseph Kerman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Joseph Kerman. The network helps show where Joseph Kerman may publish in the future.
Co-authors
The 23 scholars most cited alongside Joseph Kerman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 80 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1989 | 148 | |
| 2 | 1980 | 104 | |
| 3 | Opera as drama | 1956 | 75 |
| 4 | 1983 | 67 | |
| 5 | The Beethoven quartets | 1967 | 49 |
| 6 | 1982 | 47 | |
| 7 | 1965 | 29 | |
| 8 | Opera and the Morbidity of Music | 2008 | 18 |
| 9 | 1952 | 13 | |
| 10 | The New Grove Beethoven | 1983 | 12 |
| 11 | 1995 | 10 | |
| 12 | 1991 | 9 | |
| 13 | 1999 | 7 | |
| 14 | 2006 | 6 | |
| 15 | 1961 | 6 | |
| 16 | 1989 | 6 | |
| 17 | 1996 | 6 | |
| 18 | 1992 | 5 | |
| 19 | 1962 | 5 | |
| 20 | 1955 | 5 |
About Joseph Kerman
Joseph Kerman is a scholar working on Music, Cognitive Neuroscience, History, Literature and Literary Theory and Political Science and International Relations, having authored 80 papers that have together received 704 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (43 papers), Diverse Musicological Studies (16 papers), Music History and Culture (7 papers), Neuroscience and Music Perception (7 papers), Historical Studies of British Isles (6 papers), Diverse Music Education Insights (4 papers), Music Technology and Sound Studies (4 papers) and Theater, Performance, and Music History (4 papers). The work is most often cited by research in Music (514 citations), Visual Arts and Performing Arts (54 citations), Classics (39 citations), Literature and Literary Theory (82 citations) and History (70 citations). Joseph Kerman has collaborated with scholars based in United States. Frequent co-authors include James Porter, Richard Taruskin, Alan Tyson, Jonathan Dunsby, Thomas S. Grey, Walther R. Volbach, Arthur Berger, Walter L. Woodfill, Eric Lewin Altschuler and Aarón Copland. Their work appears in journals such as Notes, 19th-Century Music, Journal of the American Musicological Society, Journal of Musicology and Early Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.