Karol Berger
Impact in
- Music top 2%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Theater, Performance, and Music History
- Visual Arts and Performing Arts top 10%
- Visual Culture and Art Theory
Papers in
- Music 19
- Musicology and Musical Analysis 18
- Diverse Musicological Studies 7
- Music History and Culture 3
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- Neuroscience and Music Perception 3
Karol Berger
16 papers receiving 59 citations
Peers
Comparison fields: 5 of 37
- Music 77
- Visual Arts and Performing Arts 12
- Classics 8
- Literature and Literary Theory 24
- Cognitive Neuroscience 24
Countries citing papers authored by Karol Berger
This map shows the geographic impact of Karol Berger's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Karol Berger with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Karol Berger more than expected).
Fields of papers citing papers by Karol Berger
This network shows the impact of papers produced by Karol Berger. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Karol Berger. The network helps show where Karol Berger may publish in the future.
Co-authors
The 2 scholars most cited alongside Karol Berger, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 23 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | A Theory of Art | 1999 | 25 |
| 2 | 2007 | 21 | |
| 3 | 2005 | 16 | |
| 4 | 1994 | 13 | |
| 5 | Music and the aesthetics of modernity : essays | 2005 | 5 |
| 6 | Beyond Reason: Wagner contra Nietzsche | 2016 | 5 |
| 7 | 2014 | 3 | |
| 8 | 1996 | 3 | |
| 9 | 1980 | 3 | |
| 10 | 1981 | 2 | |
| 11 | 1989 | 2 | |
| 12 | 2007 | 2 | |
| 13 | Theories of chromatic and enharmonic music in late sixteenth century Italy | 1980 | 1 |
| 14 | 2016 | 1 | |
| 15 | 1985 | 1 | |
| 16 | 1985 | 1 | |
| 17 | 1994 | 1 | |
| 18 | The Yale Collection of Historical Sound Recordings. | 1974 | 1 |
| 19 | 1995 | 1 | |
| 20 | 1996 | 1 |
About Karol Berger
Karol Berger is a scholar working on Music, Cognitive Neuroscience, Literature and Literary Theory, Classics and Computer Vision and Pattern Recognition, having authored 23 papers that have together received 109 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (18 papers), Diverse Musicological Studies (7 papers), Renaissance Literature and Culture (3 papers), Music Technology and Sound Studies (3 papers), Music History and Culture (3 papers), Neuroscience and Music Perception (3 papers), Bach Studies and Logistics Development (2 papers) and German Literature and Culture Studies (2 papers). The work is most often cited by research in Music (77 citations), Visual Arts and Performing Arts (12 citations), Classics (8 citations), Literature and Literary Theory (24 citations) and Cognitive Neuroscience (24 citations). Karol Berger has collaborated with scholars based in United States. Frequent co-authors include Anthony Newcomb and Joel Lester. Their work appears in journals such as Journal of Musicology, 19th-Century Music, Early Music, Notes and Journal of the American Musicological Society.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.