Scott Burnham
Impact in
- Music top 1%
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Music History and Culture
- Theater, Performance, and Music History
- Diverse Music Education Insights
- Visual Arts and Performing Arts top 10%
- Visual Culture and Art Theory
Papers in
- Music 20
- Musicology and Musical Analysis 20
- Diverse Musicological Studies 8
- Music History and Culture 4
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- Music Technology and Sound Studies 3
- Co-authors
- William Drabkin (1 shared paper)William Kinderman (1 shared paper)Leon Botstein (1 shared paper)James Webster (1 shared paper)Suzannah Clark (1 shared paper)Roger Parker (1 shared paper)Julian Johnson (1 shared paper)Elaine R. Sisman (1 shared paper)
- Journals
- 19th-Century Music (5 papers)Journal of Music Theory (2 papers)Music Theory Spectrum (2 papers)Notes (2 papers)Journal of Musicology (2 papers)
- Partner nations
- United StatesIreland
In The Last Decade
Scott Burnham
23 papers receiving 88 citations
Peers
Comparison fields: 5 of 37
- Music 128
- Visual Arts and Performing Arts 14
- Theoretical Computer Science 3
- Cognitive Neuroscience 47
- Urban Studies 12
Countries citing papers authored by Scott Burnham
This map shows the geographic impact of Scott Burnham's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Scott Burnham with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Scott Burnham more than expected).
Fields of papers citing papers by Scott Burnham
This network shows the impact of papers produced by Scott Burnham. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Scott Burnham. The network helps show where Scott Burnham may publish in the future.
Co-authors
The 19 scholars most cited alongside Scott Burnham, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 29 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1995 | 35 | |
| 2 | 2010 | 14 | |
| 3 | 1994 | 11 | |
| 4 | Beethoven and his world | 2000 | 10 |
| 5 | 1989 | 10 | |
| 6 | 2005 | 10 | |
| 7 | 1992 | 9 | |
| 8 | 2000 | 8 | |
| 9 | 2000 | 8 | |
| 10 | 1997 | 7 | |
| 11 | 2013 | 6 | |
| 12 | 1990 | 6 | |
| 13 | 1992 | 6 | |
| 14 | 1999 | 4 | |
| 15 | 1993 | 3 | |
| 16 | 1996 | 2 | |
| 17 | 2009 | 2 | |
| 18 | 1990 | 2 | |
| 19 | Aesthetics, theory and history in the works of Adolph Bernhard Marx | 1988 | 2 |
| 20 | 1992 | 2 |
About Scott Burnham
Scott Burnham is a scholar working on Music, Computer Vision and Pattern Recognition, Urban Studies, Pathology and Forensic Medicine and Political Science and International Relations, having authored 29 papers that have together received 163 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (20 papers), Diverse Musicological Studies (8 papers), Music History and Culture (4 papers), Music Technology and Sound Studies (3 papers), Whipple's Disease and Interleukins (2 papers), Visual Culture and Art Theory (1 paper), Philosophy, Science, and History (1 paper) and Urban and sociocultural dynamics (1 paper). The work is most often cited by research in Music (128 citations), Visual Arts and Performing Arts (14 citations), Theoretical Computer Science (3 citations), Cognitive Neuroscience (47 citations) and Urban Studies (12 citations). Scott Burnham has collaborated with scholars based in United States and Ireland. Frequent co-authors include William Drabkin, William Kinderman, Leon Botstein, James Webster, Suzannah Clark, Roger Parker, Julian Johnson, Elaine R. Sisman, Emanuele Senici and Janet Schmalfeldt. Their work appears in journals such as 19th-Century Music, Journal of Music Theory, Music Theory Spectrum, Notes and Journal of Musicology.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.