John Rahn

704 citations
47 papers · 465 · h-index 8

Impact in

  • Music top 1%
    • Musicology and Musical Analysis
  • Biophysics top 5%
    • Advanced Fluorescence Microscopy Techniques
    • Cell Image Analysis Techniques

Papers in

John Rahn

36 papers receiving 335 citations

Peers

John Rahn
Comparison fields: 5 of 93
  • Music 147
  • Biophysics 81
  • Signal Processing 79
  • Cognitive Neuroscience 121
  • Computer Vision and Pattern Recognition 135
Replace Peter Steinbach with:
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Juan A. Almendral Spain
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John Rahn relative to Peter Steinbach Germany Peter Steinbach's profile →
Citations per field
00.5×2×2.8×
Peter Steinbach · 1×
Citations per year

Countries citing papers authored by John Rahn

Since Specialization
Citations

This map shows the geographic impact of John Rahn's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by John Rahn with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites John Rahn more than expected).

Fields of papers citing papers by John Rahn

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by John Rahn. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by John Rahn. The network helps show where John Rahn may publish in the future.

Co-authors

The 18 scholars most cited alongside John Rahn, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with John Rahn Line = papers co-authored together John Rahn links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 47 papers — load more, or switch the sort, to bring in the rest.

#Work
1 2005118
2
Basic atonal theory
198099
3 198741
4 200829
5 197917
6 200915
7 199615
8 198512
9
Perspectives on musical aesthetics
19948
10 19808
11 19938
12 19908
13 19798
14 19758
15 19857
16 19896
17 19905
18 20105
19 20075
20 19884

About John Rahn

John Rahn is a scholar working on Music, Computer Vision and Pattern Recognition, Biophysics, Signal Processing and Cognitive Neuroscience, having authored 47 papers that have together received 465 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (14 papers), Music Technology and Sound Studies (13 papers), Advanced Fluorescence Microscopy Techniques (5 papers), Music and Audio Processing (5 papers), Music History and Culture (4 papers), Diverse Musicological Studies (4 papers), Neuroscience and Music Perception (4 papers) and Diverse Music Education Insights (2 papers). The work is most often cited by research in Music (147 citations), Biophysics (81 citations), Signal Processing (79 citations), Cognitive Neuroscience (121 citations) and Computer Vision and Pattern Recognition (135 citations). John Rahn has collaborated with scholars based in United States. Frequent co-authors include Thomas Neumann, Alan C. Nelson, Michael G. Meyer, Eric J. Seibel, Florence W. Patten, David I Lewin, Mark E. Fauver, Pierre Boulez, Michel Foucault and Benjamin A. Boretz. Their work appears in journals such as Computer Music Journal, Perspectives of New Music, Journal of Music Theory, Music Theory Spectrum and Optics Letters.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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