Frank Keßler
Impact in
-
- Cinema History and Criticism
- Visual Culture and Art Theory
- Theatre and Performance Studies
Papers in
-
- Cinema History and Criticism 37
- Visual Culture and Art Theory 10
- Theatre and Performance Studies 3
- History 9
- Photography and Visual Culture 4
- Co-authors
- Mirko Tobias Schäfer (2 shared papers)Andreas Fickers (2 shared papers)Jens Eder (1 shared paper)Patricia Pisters (1 shared paper)Patrick Vonderau (1 shared paper)Guido Heldt (1 shared paper)
- Journals
- Early Popular Visual Culture (2 papers)Material Religion (1 paper)Historical Journal Of Film Radio and Television (1 paper)Cinémas Revue d études cinématographiques (3 papers)Linguistic approaches to literature (1 paper)
- Partner nations
- NetherlandsBelgium
In The Last Decade
Frank Keßler
37 papers receiving 82 citations
Peers
Comparison fields: 5 of 33
- Visual Arts and Performing Arts 107
- Museology 6
- Literature and Literary Theory 19
- Philosophy 15
- Conservation 4
Countries citing papers authored by Frank Keßler
This map shows the geographic impact of Frank Keßler's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Frank Keßler with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Frank Keßler more than expected).
Fields of papers citing papers by Frank Keßler
This network shows the impact of papers produced by Frank Keßler. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Frank Keßler. The network helps show where Frank Keßler may publish in the future.
Co-authors
The 6 scholars most cited alongside Frank Keßler, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 54 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Networks of Entertainment: Early Film Distribution 1895–1915 | 2008 | 24 |
| 2 | The Cinema of Attractions as Dispositif | 2006 | 19 |
| 3 | 2004 | 17 | |
| 4 | Navigating YouTube: Constituting a Hybrid Information Management System | 2009 | 16 |
| 5 | What You Get Is What You See: Digital Images and the Claim on the Real | 2009 | 7 |
| 6 | 1996 | 6 | |
| 7 | 1997 | 6 | |
| 8 | 1998 | 6 | |
| 9 | Layers of Cheese. Generic Overlap in Early Non-Fiction Films on Production Processes | 2009 | 6 |
| 10 | 2014 | 4 | |
| 11 | 2017 | 4 | |
| 12 | 2019 | 4 | |
| 13 | Photogenie und Physiognomie | 1996 | 3 |
| 14 | Programming and Performing Early Cinema Today: Strategies and Dispositifs | 2011 | 3 |
| 15 | 2011 | 3 | |
| 16 | 2019 | 3 | |
| 17 | 2020 | 3 | |
| 18 | 2020 | 3 | |
| 19 | 1993 | 2 | |
| 20 | 1999 | 2 |
About Frank Keßler
Frank Keßler is a scholar working on Visual Arts and Performing Arts, History, History and Philosophy of Science, Literature and Literary Theory and Museology, having authored 54 papers that have together received 168 indexed citations. Recurring topics across this work include Cinema History and Criticism (37 papers), Visual Culture and Art Theory (10 papers), Photography and Visual Culture (4 papers), Cinema and Media Studies (4 papers), History of Science and Medicine (3 papers), Theatre and Performance Studies (3 papers), Historical Studies and Socio-cultural Analysis (2 papers) and Historical Education Studies Worldwide (2 papers). The work is most often cited by research in Visual Arts and Performing Arts (107 citations), Museology (6 citations), Literature and Literary Theory (19 citations), Philosophy (15 citations) and Conservation (4 citations). Frank Keßler has collaborated with scholars based in Netherlands and Belgium. Frequent co-authors include Mirko Tobias Schäfer, Andreas Fickers, Jens Eder, Patricia Pisters, Patrick Vonderau and Guido Heldt. Their work appears in journals such as Early Popular Visual Culture, Material Religion, Historical Journal Of Film Radio and Television, Cinémas Revue d études cinématographiques and Linguistic approaches to literature.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.