David W. Bernstein
Impact in
- Music top 1%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
- Theater, Performance, and Music History
Papers in
- Music 15
- Musicology and Musical Analysis 14
- Diverse Musicological Studies 5
- Music History and Culture 4
- Diverse Music Education Insights 3
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- Music Technology and Sound Studies 7
- Co-authors
- Christopher Hatch (3 shared papers)Arnold Whittall (1 shared paper)David Nicholls (1 shared paper)Alastair Williams (1 shared paper)David Patterson (1 shared paper)Kyle Gann (1 shared paper)William Brooks (1 shared paper)Tim Carter (1 shared paper)
- Journals
- Contemporary Music Review (3 papers)Music Theory Spectrum (1 paper)Journal of Music Theory (1 paper)Music Analysis (1 paper)The Musical Times (1 paper)
- Partner nations
- United KingdomUnited StatesFrance
In The Last Decade
David W. Bernstein
12 papers receiving 89 citations
Peers
Comparison fields: 5 of 38
- Music 136
- Theoretical Computer Science 6
- Computer Vision and Pattern Recognition 84
- Cognitive Neuroscience 60
- Visual Arts and Performing Arts 16
Countries citing papers authored by David W. Bernstein
This map shows the geographic impact of David W. Bernstein's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David W. Bernstein with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David W. Bernstein more than expected).
Fields of papers citing papers by David W. Bernstein
This network shows the impact of papers produced by David W. Bernstein. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David W. Bernstein. The network helps show where David W. Bernstein may publish in the future.
Co-authors
The 8 scholars most cited alongside David W. Bernstein, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2002 | 42 | |
| 2 | 1994 | 35 | |
| 3 | The San Francisco Tape Music Center : 1960s counterculture and the avant-garde | 2008 | 32 |
| 4 | The harmonic theory of Georg Capellen | 1986 | 18 |
| 5 | 2002 | 15 | |
| 6 | 2001 | 15 | |
| 7 | 2002 | 11 | |
| 8 | 2001 | 8 | |
| 9 | 2001 | 4 | |
| 10 | 2011 | 3 | |
| 11 | 2002 | 3 | |
| 12 | La imagen de la empresa y la realidad: crítica de las comunicaciones corporativas | 1986 | 1 |
| 13 | 2014 | 1 | |
| 14 | 1995 | 1 | |
| 15 | 1993 | 1 | |
| 16 | 2010 | 1 | |
| 17 | 2020 | 0 | |
| 18 | 1996 | 0 |
About David W. Bernstein
David W. Bernstein is a scholar working on Music, Computer Vision and Pattern Recognition, Urban Studies, Communication and Social Psychology, having authored 18 papers that have together received 191 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (14 papers), Music Technology and Sound Studies (7 papers), Diverse Musicological Studies (5 papers), Music History and Culture (4 papers), Diverse Music Education Insights (3 papers), Art, Technology, and Culture (1 paper), Journalism and Media Studies (1 paper) and German History and Society (1 paper). The work is most often cited by research in Music (136 citations), Theoretical Computer Science (6 citations), Computer Vision and Pattern Recognition (84 citations), Cognitive Neuroscience (60 citations) and Visual Arts and Performing Arts (16 citations). David W. Bernstein has collaborated with scholars based in United Kingdom, United States and France. Frequent co-authors include Christopher Hatch, Arnold Whittall, David Nicholls, Alastair Williams, David Patterson, Kyle Gann, William Brooks and Tim Carter. Their work appears in journals such as Contemporary Music Review, Music Theory Spectrum, Journal of Music Theory, Music Analysis and The Musical Times.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.