Kyle Gann
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
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- Visual Culture and Art Theory
Papers in
- Music 11
- Musicology and Musical Analysis 10
- Diverse Musicological Studies 4
- Music History and Culture 2
- Theater, Performance, and Music History 1
- Diverse Music Education Insights 1
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- Music Technology and Sound Studies 4
- Co-authors
- David W. Bernstein (1 shared paper)Alastair Williams (1 shared paper)William Brooks (1 shared paper)David Nicholls (1 shared paper)David Patterson (1 shared paper)Arnold Whittall (1 shared paper)James Gardner (1 shared paper)Peter C. Hill (1 shared paper)
- Journals
- Notes (2 papers)American Music (1 paper)Journal of Music Theory (1 paper)Tempo (1 paper)Perspectives of New Music (1 paper)
- Partner nations
- United KingdomNew ZealandBelgium
In The Last Decade
Kyle Gann
15 papers receiving 211 citations
Peers
Comparison fields: 5 of 64
- Music 151
- Visual Arts and Performing Arts 47
- Computer Vision and Pattern Recognition 103
- Literature and Literary Theory 42
- Cognitive Neuroscience 67
Countries citing papers authored by Kyle Gann
This map shows the geographic impact of Kyle Gann's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Kyle Gann with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Kyle Gann more than expected).
Fields of papers citing papers by Kyle Gann
This network shows the impact of papers produced by Kyle Gann. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Kyle Gann. The network helps show where Kyle Gann may publish in the future.
Co-authors
The 11 scholars most cited alongside Kyle Gann, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Silence : lectures and writings | 2011 | 225 |
| 2 | The Music of Conlon Nancarrow | 1995 | 27 |
| 3 | 2002 | 21 | |
| 4 | 2016 | 15 | |
| 5 | 1993 | 9 | |
| 6 | 2017 | 8 | |
| 7 | Silence: Lectures and Writings, 50th Anniversary Edition | 2011 | 7 |
| 8 | 2006 | 7 | |
| 9 | 1999 | 7 | |
| 10 | 2009 | 5 | |
| 11 | 1997 | 4 | |
| 12 | 1997 | 4 | |
| 13 | 2003 | 4 | |
| 14 | 2013 | 3 | |
| 15 | 2015 | 2 | |
| 16 | 2012 | 1 | |
| 17 | 2023 | 1 | |
| 18 | 2017 | 0 | |
| 19 | Charles Ives's Concord: Essays after a Sonata | 2017 | 0 |
| 20 | The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician | 2019 | 0 |
About Kyle Gann
Kyle Gann is a scholar working on Music, Computer Vision and Pattern Recognition, Social Psychology, Cultural Studies and History, having authored 20 papers that have together received 350 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (10 papers), Music Technology and Sound Studies (4 papers), Diverse Musicological Studies (4 papers), Music History and Culture (2 papers), Asian Culture and Media Studies (1 paper), Theater, Performance, and Music History (1 paper), Diverse Music Education Insights (1 paper) and French Historical and Cultural Studies (1 paper). The work is most often cited by research in Music (151 citations), Visual Arts and Performing Arts (47 citations), Computer Vision and Pattern Recognition (103 citations), Literature and Literary Theory (42 citations) and Cognitive Neuroscience (67 citations). Kyle Gann has collaborated with scholars based in United Kingdom, New Zealand and Belgium. Frequent co-authors include David W. Bernstein, Alastair Williams, William Brooks, David Nicholls, David Patterson, Arnold Whittall, James Gardner, Peter C. Hill, Nicholas Jones and Jonathan Cross. Their work appears in journals such as Notes, American Music, Journal of Music Theory, Tempo and Perspectives of New Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.