Danuta Mirka
Impact in
- Music top 1%
- Musicology and Musical Analysis
- Diverse Musicological Studies
- Music History and Culture
- Cognitive Neuroscience top 10%
- Neuroscience and Music Perception
Papers in
- Music 14
- Musicology and Musical Analysis 14
- Diverse Musicological Studies 5
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- Music Technology and Sound Studies 6
- Co-authors
- V. Kofi Agawu (1 shared paper)
- Journals
- Journal of Music Theory (5 papers)The American Journal of Semiotics (1 paper)Music Theory Online (1 paper)Journal of Musicology (1 paper)Die Musikforschung (1 paper)
- Partner nations
- United KingdomUnited States
In The Last Decade
Danuta Mirka
10 papers receiving 161 citations
Peers
Comparison fields: 5 of 38
- Music 128
- Cognitive Neuroscience 151
- Signal Processing 63
- Experimental and Cognitive Psychology 61
- Computer Vision and Pattern Recognition 50
Countries citing papers authored by Danuta Mirka
This map shows the geographic impact of Danuta Mirka's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Danuta Mirka with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Danuta Mirka more than expected).
Fields of papers citing papers by Danuta Mirka
This network shows the impact of papers produced by Danuta Mirka. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Danuta Mirka. The network helps show where Danuta Mirka may publish in the future.
Co-authors
The 1 scholars most cited alongside Danuta Mirka, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2004 | 92 | |
| 2 | 2009 | 47 | |
| 3 | Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791 | 2009 | 38 |
| 4 | 2008 | 22 | |
| 5 | 2014 | 10 | |
| 6 | 2010 | 9 | |
| 7 | 2005 | 5 | |
| 8 | 1997 | 4 | |
| 9 | 2000 | 3 | |
| 10 | 2001 | 1 | |
| 11 | 1996 | 1 | |
| 12 | 1996 | 1 | |
| 13 | 2021 | 1 | |
| 14 | 2004 | 1 | |
| 15 | 2001 | 1 | |
| 16 | Osvaldas Balakauskas: muzika ir mintys | 2000 | 0 |
| 17 | 2012 | 0 | |
| 18 | 2014 | 0 | |
| 19 | 2014 | 0 |
About Danuta Mirka
Danuta Mirka is a scholar working on Music, Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience and Political Science and International Relations, having authored 19 papers that have together received 236 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (14 papers), Music Technology and Sound Studies (6 papers), Music and Audio Processing (5 papers), Diverse Musicological Studies (5 papers), Neuroscience and Music Perception (4 papers), Historical Influence and Diplomacy (3 papers), Language and Culture (1 paper) and Literature, Musicology, and Cultural Analysis (1 paper). The work is most often cited by research in Music (128 citations), Cognitive Neuroscience (151 citations), Signal Processing (63 citations), Experimental and Cognitive Psychology (61 citations) and Computer Vision and Pattern Recognition (50 citations). Danuta Mirka has collaborated with scholars based in United Kingdom and United States. Frequent co-authors include V. Kofi Agawu. Their work appears in journals such as Journal of Music Theory, The American Journal of Semiotics, Music Theory Online, Journal of Musicology and Die Musikforschung.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.