Anna Münster

17 papers receiving 183 citations

Peers

Anna Münster
Comparison fields: 5 of 72
  • Visual Arts and Performing Arts 32
  • Human-Computer Interaction 30
  • Museology 14
  • Computer Science Applications 21
  • History and Philosophy of Science 17
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Laurence Raw Türkiye
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Countries citing papers authored by Anna Münster

Since Specialization
Citations

This map shows the geographic impact of Anna Münster's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Anna Münster with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Anna Münster more than expected).

Fields of papers citing papers by Anna Münster

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Anna Münster. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Anna Münster. The network helps show where Anna Münster may publish in the future.

Co-authors

The 5 scholars most cited alongside Anna Münster, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Anna Münster Line = papers co-authored together Anna Münster links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 22 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Materializing New Media: Embodiment in Information Aesthetics
200671
2 201960
3 201340
4
An Aesthesia of Networks: Conjunctive Experience in Art and Technology
201321
5 199914
6 20148
7
Materializing New Media: Embodiment in Information Aesthetics (Interfaces: Studies in Visual Culture)
20067
8 20116
9 20234
10 20213
11 20093
12
Digitality: Approximate Aesthetics
20012
13 20132
14
Biopolitics, For Now
20041
15
Why Is BioArt Not Terrorism?: Some Critical Nodes inthe Networks of Infomatice Life
20041
16 20241
17 20121
18 20081
19 20181
20 19991

About Anna Münster

Anna Münster is a scholar working on Sociology and Political Science, Visual Arts and Performing Arts, Clinical Psychology, Computer Vision and Pattern Recognition and Education, having authored 22 papers that have together received 248 indexed citations. Recurring topics across this work include Art, Technology, and Culture (2 papers), Digital Games and Media (2 papers), Gender, Feminism, and Media (2 papers), Digital Media and Philosophy (2 papers), Data Visualization and Analytics (2 papers), Design Education and Practice (1 paper), Cell Image Analysis Techniques (1 paper) and Religion and Society Interactions (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (32 citations), Human-Computer Interaction (30 citations), Museology (14 citations), Computer Science Applications (21 citations) and History and Philosophy of Science (17 citations). Anna Münster has collaborated with scholars based in Australia, United Kingdom and Slovenia. Frequent co-authors include Adrian Mackenzie, Michael Richardson, Melinda Cooper, Andrew Goffey and Liam Magee. Their work appears in journals such as Theory Culture & Society, Continuum, Transformation An International Journal of Holistic Mission Studies, AI & Society and Australian Feminist Studies.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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