Patrick Crogan
Impact in
- Computer Science Applications top 10%
- Digital Media and Philosophy
- Human-Computer Interaction top 10%
- Innovative Human-Technology Interaction
Papers in
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- Digital Media and Philosophy 14
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- Digital Games and Media 12
Patrick Crogan
25 papers receiving 178 citations
Peers
Comparison fields: 5 of 57
- Computer Science Applications 44
- Human-Computer Interaction 26
- Sociology and Political Science 132
- Gender Studies 28
- Communication 18
Countries citing papers authored by Patrick Crogan
This map shows the geographic impact of Patrick Crogan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Patrick Crogan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Patrick Crogan more than expected).
Fields of papers citing papers by Patrick Crogan
This network shows the impact of papers produced by Patrick Crogan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Patrick Crogan. The network helps show where Patrick Crogan may publish in the future.
Co-authors
The 2 scholars most cited alongside Patrick Crogan, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 26 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2011 | 46 | |
| 2 | PAYING ATTENTION: TOWARDS A CRITIQUE OF THE ATTENTION ECONOMY | 2012 | 45 |
| 3 | 2018 | 29 | |
| 4 | 2008 | 20 | |
| 5 | 2010 | 12 | |
| 6 | 1999 | 7 | |
| 7 | 2006 | 5 | |
| 8 | 2004 | 5 | |
| 9 | 2010 | 4 | |
| 10 | 2003 | 4 | |
| 11 | Thinking cinema (tically) and the industrial temporal object: Schemes and technics of experience in Bernard Stiegler's Technics and Time series | 2007 | 3 |
| 12 | The Nintendo Wii, virtualisation and gestural analogics | 2010 | 3 |
| 13 | 2007 | 3 | |
| 14 | 2002 | 3 | |
| 15 | 1999 | 3 | |
| 16 | 2008 | 2 | |
| 17 | 2019 | 2 | |
| 18 | 2012 | 2 | |
| 19 | 2005 | 2 | |
| 20 | 2005 | 1 |
About Patrick Crogan
Patrick Crogan is a scholar working on Computer Science Applications, Sociology and Political Science, Visual Arts and Performing Arts, Economics and Econometrics and Human-Computer Interaction, having authored 26 papers that have together received 207 indexed citations. Recurring topics across this work include Digital Media and Philosophy (14 papers), Digital Games and Media (12 papers), Art, Technology, and Culture (4 papers), Cinema and Media Studies (3 papers), Innovative Human-Technology Interaction (3 papers), Cybernetics and Technology in Society (2 papers), Cultural Industries and Urban Development (2 papers) and Educational Games and Gamification (2 papers). The work is most often cited by research in Computer Science Applications (44 citations), Human-Computer Interaction (26 citations), Sociology and Political Science (132 citations), Gender Studies (28 citations) and Communication (18 citations). Patrick Crogan has collaborated with scholars based in Australia and United Kingdom. Frequent co-authors include Samuel Kinsley and Helen Kennedy. Their work appears in journals such as Games and Culture, Cultural Politics an International Journal, Animation, Convergence The International Journal of Research into New Media Technologies and Media International Australia.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.