Harry White
Impact in
- Music top 5%
- Musicology and Musical Analysis
- Music History and Culture
- Theater, Performance, and Music History
- Diverse Musicological Studies
- Visual Arts and Performing Arts top 10%
- Theatre and Performance Studies
Papers in
- Music 8
- Musicology and Musical Analysis 5
- Diverse Musicological Studies 4
- Theater, Performance, and Music History 2
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- Irish and British Studies 6
- Co-authors
- Michael A. Murphy (1 shared paper)J. G. Beetlestone (1 shared paper)Hubert B. Gaspar (1 shared paper)Adrian J. Thrasher (1 shared paper)Paul Veys (1 shared paper)Christine Kinnon (1 shared paper)
- Journals
- Studies in Romanticism (1 paper)Studies in English Literature 1500-1900 (1 paper)Music and Letters (1 paper)Modern Drama (1 paper)Journal of Musicology (1 paper)
- Partner nations
- IrelandUnited KingdomUnited States
In The Last Decade
Harry White
18 papers receiving 68 citations
Peers
Comparison fields: 5 of 41
- Music 42
- Visual Arts and Performing Arts 11
- History 18
- Anthropology 16
- Museology 4
Countries citing papers authored by Harry White
This map shows the geographic impact of Harry White's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Harry White with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Harry White more than expected).
Fields of papers citing papers by Harry White
This network shows the impact of papers produced by Harry White. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Harry White. The network helps show where Harry White may publish in the future.
Co-authors
The 6 scholars most cited alongside Harry White, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 24 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Musical constructions of nationalism : essays on the history and ideology of European musical culture, 1800-1945 | 2001 | 24 |
| 2 | The keeper's recital : music and cultural history in Ireland, 770-1970 | 1998 | 15 |
| 3 | 2008 | 11 | |
| 4 | 1997 | 10 | |
| 5 | 1998 | 8 | |
| 6 | 2008 | 7 | |
| 7 | The Maynooth International Musicological Conference 1995 : selected proceedings | 1996 | 4 |
| 8 | 1996 | 3 | |
| 9 | 1984 | 3 | |
| 10 | Anatomy of Censorship: Why the Censors Have it Wrong | 1997 | 3 |
| 11 | Music and Irish cultural history | 1995 | 2 |
| 12 | 2010 | 2 | |
| 13 | 1988 | 2 | |
| 14 | 1996 | 2 | |
| 15 | 1977 | 2 | |
| 16 | 1997 | 1 | |
| 17 | 2000 | 1 | |
| 18 | 2018 | 1 | |
| 19 | 2009 | 1 | |
| 20 | 1990 | 0 |
About Harry White
Harry White is a scholar working on Music, Sociology and Political Science, Literature and Literary Theory, History and Anthropology, having authored 24 papers that have together received 102 indexed citations. Recurring topics across this work include Irish and British Studies (6 papers), Musicology and Musical Analysis (5 papers), Diverse Musicological Studies (4 papers), Theater, Performance, and Music History (2 papers), Historical Studies of British Isles (2 papers), Historical Psychiatry and Medical Practices (1 paper), Folklore, Mythology, and Literature Studies (1 paper) and Poetry Analysis and Criticism (1 paper). The work is most often cited by research in Music (42 citations), Visual Arts and Performing Arts (11 citations), History (18 citations), Anthropology (16 citations) and Museology (4 citations). Harry White has collaborated with scholars based in Ireland, United Kingdom and United States. Frequent co-authors include Michael A. Murphy, J. G. Beetlestone, Hubert B. Gaspar, Adrian J. Thrasher, Paul Veys and Christine Kinnon. Their work appears in journals such as Studies in Romanticism, Studies in English Literature 1500-1900, Music and Letters, Modern Drama and Journal of Musicology.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.