Brandon LaBelle
Impact in
- Music top 0.5%
- Music History and Culture
- Diverse Musicological Studies
- Musicology and Musical Analysis
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- Geographies of human-animal interactions
Papers in
- Music 5
- Diverse Musicological Studies 5
-
- Music Technology and Sound Studies 2
- Co-authors
- Steve Pile (1 shared paper)Jane Rendell (1 shared paper)K. Ehrlich (1 shared paper)Yves Citton (1 shared paper)
In The Last Decade
Brandon LaBelle
15 papers receiving 443 citations
Peers
Comparison fields: 5 of 74
- Music 191
- Geography, Planning and Development 96
- Visual Arts and Performing Arts 58
- Cultural Studies 88
- Speech and Hearing 53
Countries citing papers authored by Brandon LaBelle
This map shows the geographic impact of Brandon LaBelle's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Brandon LaBelle with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Brandon LaBelle more than expected).
Fields of papers citing papers by Brandon LaBelle
This network shows the impact of papers produced by Brandon LaBelle. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Brandon LaBelle. The network helps show where Brandon LaBelle may publish in the future.
Co-authors
The 4 scholars most cited alongside Brandon LaBelle, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Acoustic Territories: Sound Culture and Everyday Life | 2010 | 224 |
| 2 | Background Noise: Perspectives on Sound Art | 2006 | 146 |
| 3 | Sonic Agency: Sound and Emergent Forms of Resistance | 2018 | 65 |
| 4 | 2015 | 28 | |
| 5 | 2014 | 28 | |
| 6 | 2008 | 18 | |
| 7 | 2005 | 14 | |
| 8 | 2019 | 7 | |
| 9 | 2020 | 7 | |
| 10 | Surface tension : problematics of site | 2003 | 6 |
| 11 | 2002 | 4 | |
| 12 | 2006 | 2 | |
| 13 | Acoustic Justice: Listening, Performativity, and the Work of Reorientation | 2020 | 2 |
| 14 | 2020 | 1 | |
| 15 | 2011 | 1 | |
| 16 | 2016 | 1 | |
| 17 | 2025 | 0 | |
| 18 | 2020 | 0 | |
| 19 | 2023 | 0 | |
| 20 | 2012 | 0 |
About Brandon LaBelle
Brandon LaBelle is a scholar working on Music, Computer Vision and Pattern Recognition, Visual Arts and Performing Arts, Communication and Sociology and Political Science, having authored 20 papers that have together received 554 indexed citations. Recurring topics across this work include Diverse Musicological Studies (5 papers), Visual Culture and Art Theory (2 papers), Music Technology and Sound Studies (2 papers), Radio, Podcasts, and Digital Media (1 paper), Architecture, Modernity, and Design (1 paper), Photography and Visual Culture (1 paper), French Urban and Social Studies (1 paper) and Historical Art and Culture Studies (1 paper). The work is most often cited by research in Music (191 citations), Geography, Planning and Development (96 citations), Visual Arts and Performing Arts (58 citations), Cultural Studies (88 citations) and Speech and Hearing (53 citations). Brandon LaBelle has collaborated with scholars based in Denmark, Norway and Hong Kong. Frequent co-authors include Steve Pile, Jane Rendell, K. Ehrlich and Yves Citton. Their work appears in journals such as Cultural Geographies, Performance Research, Journal of Visual Culture, The Senses and Society and Organised Sound.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.