Massimo Leone

140 papers receiving 461 citations

Peers

Massimo Leone
Comparison fields: 5 of 75
  • Visual Arts and Performing Arts 54
  • Literature and Literary Theory 91
  • Communication 49
  • Philosophy 77
  • General Arts and Humanities 7
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Citations per year

Countries citing papers authored by Massimo Leone

Since Specialization
Citations

This map shows the geographic impact of Massimo Leone's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Massimo Leone with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Massimo Leone more than expected).

Fields of papers citing papers by Massimo Leone

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Massimo Leone. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Massimo Leone. The network helps show where Massimo Leone may publish in the future.

Co-authors

The 10 scholars most cited alongside Massimo Leone, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Massimo Leone Line = papers co-authored together Massimo Leone links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 165 papers — load more, or switch the sort, to bring in the rest.

#Work
1 201029
2 202025
3 202023
4 202023
5 202115
6 201414
7 201414
8
Religious Conversion and Identity: The Semiotic Analysis of Texts
200414
9 201413
10 201112
11 200412
12 201110
13
On Insignificance: The Loss of Meaning in the Post-Material Age
201910
14 20209
15 20199
16
Saints and Signs: A Semiotic Reading of Conversion in Early Modern Catholicism
20109
17
The Semiotics of the Face in the Digital Era
20189
18 20238
19 20128
20 20207

About Massimo Leone

Massimo Leone is a scholar working on Literature and Literary Theory, Communication, Philosophy, General Arts and Humanities and Visual Arts and Performing Arts, having authored 165 papers that have together received 548 indexed citations. Recurring topics across this work include Semiotics and Representation Studies (22 papers), Law in Society and Culture (17 papers), Media, Communication, and Education (15 papers), Italian Literature and Culture (14 papers), Visual Culture and Art Theory (13 papers), Linguistics and Discourse Analysis (12 papers), Historical Linguistics and Language Studies (7 papers) and Translation Studies and Practices (7 papers). The work is most often cited by research in Visual Arts and Performing Arts (54 citations), Literature and Literary Theory (91 citations), Communication (49 citations), Philosophy (77 citations) and General Arts and Humanities (7 citations). Massimo Leone has collaborated with scholars based in Italy, China and United Kingdom. Frequent co-authors include Andreas Ventsel, Richard J. Parmentier, Maria Giulia Dondero, Marco Viola, Lewis R. Rambo, Lia Morra, Nadirsyah Hosen, Cristina Greco, Fabrizio Lamberti and Fabio Garcea. Their work appears in journals such as Semiotica, Signs and Society, Social Semiotics, Sign Systems Studies and The American Journal of Semiotics.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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