Jane Chapman

403 citations
39 papers · 166 · h-index 7

Impact in

Papers in

Jane Chapman

29 papers receiving 129 citations

Peers

Jane Chapman
Comparison fields: 5 of 56
  • Communication 42
  • Visual Arts and Performing Arts 24
  • History 30
  • Gender Studies 25
  • Sociology and Political Science 69
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Citations per field
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Citations per year

Countries citing papers authored by Jane Chapman

Since Specialization
Citations

This map shows the geographic impact of Jane Chapman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jane Chapman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jane Chapman more than expected).

Fields of papers citing papers by Jane Chapman

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Jane Chapman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jane Chapman. The network helps show where Jane Chapman may publish in the future.

Co-authors

The 8 scholars most cited alongside Jane Chapman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Jane Chapman Line = papers co-authored together Jane Chapman links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 39 papers — load more, or switch the sort, to bring in the rest.

#Work
1
Issues in Contemporary Documentary
200942
2
Comparative media history
201224
3
Comparative media history an introduction: 1789 to the present
200516
4 201113
5 20169
6 20137
7 20127
8 20074
9 20003
10 20153
11 20113
12 20153
13 20143
14
Republican citizenship, ethics and the French revolutionary press 1789-92
20053
15 20082
16
Multi-panel comic narratives in Australian First World War trench publications as citizen journalism
20122
17 20102
18 20142
19
Documentary in Practice: Filmmakers and Production Choices
20072
20 20082

About Jane Chapman

Jane Chapman is a scholar working on Visual Arts and Performing Arts, Political Science and International Relations, Sociology and Political Science, Anthropology and Literature and Literary Theory, having authored 39 papers that have together received 166 indexed citations. Recurring topics across this work include Comics and Graphic Narratives (9 papers), World Wars: History, Literature, and Impact (5 papers), African history and culture studies (4 papers), Cinema and Media Studies (3 papers), Memory, Trauma, and Commemoration (3 papers), Australian History and Society (3 papers), Media, Gender, and Advertising (2 papers) and Travel Writing and Literature (2 papers). The work is most often cited by research in Communication (42 citations), Visual Arts and Performing Arts (24 citations), History (30 citations), Gender Studies (25 citations) and Sociology and Political Science (69 citations). Jane Chapman has collaborated with scholars based in United Kingdom, Slovenia and United States. Frequent co-authors include John Tulloch, Andrew Kerr, Susan M. Long, Ross Wilson, Edward Helmes, Susan Long, Andrew Kerr and John Newton. Their work appears in journals such as Media History, Contemporary Music Review, War in History, Modern & Contemporary France and Australasian Journal on Ageing.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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